House of Frankenstein (1944 Film) - Production Notes

Production Notes

Frankenstein Meets the Wolf Man had been the first on-screen pairing of two Universal Studios monsters, but House of Frankenstein was the first multi-monster (often called "monster rally") movie. Early drafts of the story reportedly involved more characters from the Universal stable, including the Mummy, the Ape Woman, the Mad Ghoul, and possibly the Invisible Man. Working titles—which included Chamber of Horrors (a reference to Lampini's travelling horror show) and The Devil's Brood--emphasized the multi-monster nature of the story.

The "monster rally" approach, which emphasized box office appeal over continuity, was used in House of Dracula the following year and later in Abbott and Costello Meet Frankenstein. House of Frankenstein marked the debut, as the monster, of Glenn Strange, a former cowboy who had been a minor supporting player in dozens of low-budget Westerns over the preceding fifteen years. He reprised the role in House of Dracula and Abbott and Costello Meet Frankenstein, and cemented the popular image of the monster as shambling, clumsy, and inarticulate. Boris Karloff, who had moved on from playing the monster to playing the mad scientist, reportedly coached Strange on how to play the role.

Made near the end of Universal's monster-movie cycle, House of Frankenstein showed evidence of the studio's declining interest in the franchise. The "monster rally" concept sacrificed internal story continuity for audience appeal, and the sets and special effects are noticeably less elaborate than in earlier films in the cycle. The scream that accompanies Daniel the hunchback's fall from the roof is actually the voice of Boris Karloff, recycled from the scene in Son of Frankenstein where the Monster howls in anguish at finding Ygor dead. The face on the Monster dummy used in the ice and laboratory scenes was a mask of Lon Chaney, who had played the Monster himself in The Ghost of Frankenstein.

Glenn Strange, presumably because of his physical skills, did his own stunt work on the film, notably in the climax where he flees across a field of burning grass (actually tumbleweeds, which nearly scorched him when they burned more quickly than expected) and sinks into a pool of quicksand. Stuntman Cary Loftin doubled for Boris Karloff in the fire scenes, but Karloff returned for the final scene in the quicksand.