Criticism
There has been a negative response to Issue 6 - Hidden Horrors in the Home in the magazine adaption of the book series. The article named "Loony Lab" in this Horrible Science Collection had a section called "Grow your own manky microbes". A compainant, a biology teacher and parent, described it as "irresponsible in the extreme". A plastic petri dish and sachet of agar powder are provided as a ’free gifts’, and children are encouraged to sample areas which may harbour disease-causing organisms (pathogens), such as a toilet handle, a dog's ear, or a "bogey". Under certain circumstances, contact with these substances is potentially life-theatening. The complainant added "The potential for real harm is jaw-dropping. Even in school, under supervision of trained staff, we would not be allowed to do much of what the article suggests, namely for health and safety reasons. How can they be sure that every child will follow even the meagre and woefully inadequate safety advice given?" .
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Famous quotes containing the word criticism:
“The aim of all commentary on art now should be to make works of art—and, by analogy, our own experience—more, rather than less, real to us. The function of criticism should be to show how it is what it is, even that it is what it is, rather than to show what it means.”
—Susan Sontag (b. 1933)
“However intense my experience, I am conscious of the presence and criticism of a part of me, which, as it were, is not a part of me, but a spectator, sharing no experience, but taking note of it, and that is no more I than it is you. When the play, it may be the tragedy, of life is over, the spectator goes his way. It was a kind of fiction, a work of the imagination only, so far as he was concerned.”
—Henry David Thoreau (1817–1862)
“The visual is sorely undervalued in modern scholarship. Art history has attained only a fraction of the conceptual sophistication of literary criticism.... Drunk with self-love, criticism has hugely overestimated the centrality of language to western culture. It has failed to see the electrifying sign language of images.”
—Camille Paglia (b. 1947)