Blue Note Years
From 1956 onwards, Silver recorded exclusively for the Blue Note label, eventually becoming close to label boss Alfred Lion who allowed him greater input on aspects of album production than was usual at the time. During his years with Blue Note, Silver helped to create the rhythmically forceful branch of jazz known as "hard bop", which combined elements of rhythm-and-blues and gospel music with jazz. Gospel elements are particularly prominent on one of his biggest hits, "The Preacher", which Lion thought corny, but Silver persuaded him to record it.
While Silver's compositions at this time featured surprising tempo shifts and a range of melodic ideas, they caught the attention of a wide audience. Silver's own piano playing easily shifted from aggressively percussive to lushly romantic within just a few bars. At the same time, his sharp use of repetition was funky even before that word could be used in polite company. Along with Silver's own work, his bands often featured such rising jazz stars as saxophonists Junior Cook and Hank Mobley, trumpeter Blue Mitchell, and drummer Louis Hayes. Some of his key albums from this period included Horace Silver Trio (1953), Horace Silver and the Jazz Messengers (1955), 6 Pieces of Silver (1956) and Blowin' the Blues Away (1959), which includes his famous, "Sister Sadie." He also combined jazz with a sassy take on pop through the 1961 hit, "Filthy McNasty".
Read more about this topic: Horace Silver
Famous quotes containing the words blue, note and/or years:
“... wounding God with his blue face,
his tyranny, his absolute kingdom,
with my aphrodisiac.”
—Anne Sexton (19281974)
“In our Mechanics Fair, there must be not only bridges, ploughs, carpenters planes, and baking troughs, but also some few finer instruments,rain-gauges, thermometers, and telescopes; and in society, besides farmers, sailors, and weavers, there must be a few persons of purer fire kept specially as gauges and meters of character; persons of a fine, detecting instinct, who note the smallest accumulations of wit and feeling in the bystander.”
—Ralph Waldo Emerson (18031882)
“Parents who want a fresh point of view on their furniture are advised to drop down on all fours and accompany the nine or ten month old on his rounds. It is probably many years since you last studied the underside of a dining room chair. The ten month old will study this marvel with as much concentration and reverence as a tourist in the Cathedral of Chartres.”
—Selma H. Fraiberg (20th century)