Critical Reception
| Professional ratings | |
|---|---|
| Aggregate scores | |
| Source | Rating |
| Metacritic | (61/100) |
| Review scores | |
| Source | Rating |
| Allmusic | |
| Rolling Stone | |
| Mojo | |
| The Guardian | |
| PopMatters | (6/10) |
| Q Magazine | |
| Entertainment Weekly | (B) |
| Pitchfork Media | (2.8/10) |
| NME | (7/10) |
| SputnikMusic | (4.5/5) |
Hopes and Fears received generally favorable reviews from critics. Review aggregating website Metacritic reports a normalized score of 61/100, based on 18 reviews, indicating "generally favorable" reviews.
Playlouder was very positive, calling it "one of the best albums you'll hear this year", as was Q Magazine, which gave it four out of five stars and said that "as a debut album, its confidence is right up there with Definitely Maybe." Allmusic, giving the album three and a half out of five stars, praised its "beautiful, emotive dalliance of instrumentation", singer Tom Chaplin's "rich vocals" and the band's "open-hearted ambition...audible on every song", while Rolling Stone said that the album "contains more hooks than most pop groups manage in their careers."
In a mixed 3-star review, The Guardian criticised the first half the album for "rely too heavily on Chaplin's show-stopping vocals" and for the "radio-friendly simplicity of the lyrics", while praising 'Can't Stop Now' as a "swooning, epic pop song" and 'Untitled 1's "booming drum and bass" on the second half. Drowned in Sound gave it 5 out of 10, accusing Keane of excessively imitating Coldplay (specifically comparing 'Your Eyes Open' and 'On a Day Like Today' with, respectively, 'Daylight' and 'Politik' on the band's album A Rush of Blood to the Head), criticising the album as being "stylistically all over the place" and its lyrics as being "immature" and "cringe-worthy". However, it gave credit to the album's "fine moments", praising lead single 'Somewhere Only We Know', for example, as "breathtaking".
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