Hoosier Hot Shots - Successful Recording and Film Career

Successful Recording and Film Career

Over their career the Hoosier Hot Shots recorded hundreds of 78s for such labels as Banner, Conqueror, Decca, Melotone, Oriole, Perfect, Romeo, and Vocalion. Some of these releases have made it to LPs, cassettes, and compact discs.

Recordings of songs made by the Hoosier Hot Shots often include the signature spoken (by Ken Trietsch) intro, "Are you ready, Hezzie?" followed by the sound of the bustle of the musicians preparing to play their instruments. However, the tightly-rehearsed skill of the performers lets the listener in on the joke as soon as the song actually begins. Their producer avoided recording too many takes of their performances, preferring a spontaneous sound: according to one member, the producer would record at most two takes of a particular song, and use the one that sounded worse.

Between 1937 and 1950 the Hot Shots appeared in more than 20 movies, sharing billing with the likes of Gene Autry, Dale Evans, Bob Wills and Merle Travis. During the mid- to late 1940s they starred in their own series of musical westerns for Columbia Pictures.

They were an ongoing presence in the early Billboard magazine country (hillbilly) charts with songs like "Beer Barrel Polka", "When There Are Tears In The Eyes Of The Potato", "Everybody Loves My Baby" and "O-Hi-O".

The World War II era their popularity was at its peak and, in addition to their normal pursuits they toured with the USO in North Africa and Italy.

Frank Kettering left in 1943, and replaced by singer-bassist Gil Taylor. They moved to the West Coast where they continued to make movies, records, stage, and radio appearances. They made the transition to television easily and were seen on such TV shows as the Tex Ritter "Ranch Party."

Read more about this topic:  Hoosier Hot Shots

Famous quotes containing the words successful, recording, film and/or career:

    “Biologically the species is the accumulation of the experiments of all its successful individuals since the beginning.”
    —H.G. (Herbert George)

    “Self-expression is not enough; experiment is not enough; the recording of special moments or cases is not enough. All of the arts have broken faith or lost connection with their origin and function. They have ceased to be concerned with the legitimate and permanent material of art.”
    —Jane Heap (c. 1880–1964)

    “All the old supports going, gone, this man reaches out a hand to steady himself on a ledge of rough brick that is warm in the sun: his hand feeds him messages of solidity, but his mind messages of destruction, for this breathing substance, made of earth, will be a dance of atoms, he knows it, his intelligence tells him so: there will soon be war, he is in the middle of war, where he stands will be a waste, mounds of rubble, and this solid earthy substance will be a film of dust on ruins.”
    —Doris Lessing (b. 1919)

    “A black boxer’s career is the perfect metaphor for the career of a black male. Every day is like being in the gym, sparring with impersonal opponents as one faces the rudeness and hostility that a black male must confront in the United States, where he is the object of both fear and fascination.”
    —Ishmael Reed (b. 1938)