Culture
Main article: Culture of HondurasThe most renowned Honduran painter is Jose Antonio Velásquez. Other important painters include Carlos Garay, and Roque Zelaya. Two of Honduras' most notable writers are Froylan Turcios and Ramón Amaya Amador. Others include Marco Antonio Rosa, Roberto Sosa, Lucila Gamero de Medina, Eduardo Bähr, Amanda Castro, Javier Abril Espinoza, Teófilo Trejo, and Roberto Quesada. Some of Honduras' notable musicians include Rafael Coello Ramos, Lidia Handal, Victoriano Lopez, Guillermo Anderson, Victor Donaire, Matilde Quan, Moises Canelo,Julio Quan Francisco Carranza and Camilo Rivera Guevara.
Hondurans are often referred to as Catracho or Catracha (fem) in Spanish. The word was coined by Nicaraguans and derives from the last name of the Spanish Honduran General Florencio Xatruch, who, in 1857, led Honduran armed forces against an attempted invasion by North American adventurer William Walker. The nickname is considered complimentary, not derogatory. The main language is Spanish, spoken by 94% as first language. Minority languages are spoken by less than 4%. These are Amerindian languages such as Garifuna, Miskito, and Pech; Honduras Sign Language; and English on the Bay Islands off the north coast.
Honduras This Week is a weekly English-language newspaper that has been published for seventeen years in Tegucigalpa. On the islands of Roatan, Utila and Guanaja, the Bay Islands Voice has been a source of monthly news since 2003.
Honduran cuisine makes extensive use of coconut, in both sweet and savory foods, and even in soups.
The José Francisco Saybe theater in San Pedro Sula is home to the Círculo Teatral Sampedrano (Theatrical Circle of San Pedro Sula)
Read more about this topic: Honduras
Famous quotes containing the word culture:
“As the traveler who has once been from home is wiser than he who has never left his own doorstep, so a knowledge of one other culture should sharpen our ability to scrutinize more steadily, to appreciate more lovingly, our own.”
—Margaret Mead (1901–1978)
“A culture may be conceived as a network of beliefs and purposes in which any string in the net pulls and is pulled by the others, thus perpetually changing the configuration of the whole. If the cultural element called morals takes on a new shape, we must ask what other strings have pulled it out of line. It cannot be one solitary string, nor even the strings nearby, for the network is three-dimensional at least.”
—Jacques Barzun (b. 1907)
“When we want culture more than potatoes, and illumination more than sugar-plums, then the great resources of a world are taxed and drawn out, and the result, or staple production, is, not slaves, nor operatives, but men,—those rare fruits called heroes, saints, poets, philosophers, and redeemers.”
—Henry David Thoreau (1817–1862)