Technical Specifications
Early episodes were in black and white with the bulk of material recorded on videotape in the studios of HSV7 using a Multicamera setup. Each episode also featured about ten minutes of location footage shot on 16 mm film. Total time per episode was 47 minutes.
With occasional exceptions, the filmed segments did not have synchronised sound and so featured little dialogue, concentrating more on dramatic shots of cars pulling in, gun battles, and fist fights.
Dialogue for the film scenes was done "post sync". This means that the dialogue was recorded on location but, due to the often low quality of audio recorded in this manner, the actor was required to record the dialogue in a sound-proof studio in the standard filmmaking process known as Additional Dialogue Recording. Location recordings were used infrequently, and usually limited to brief dialogue snatches in enclosed spaces, such as the interior of a car. Sound effects would be also dubbed onto the location-shot footage. Both pre-recorded sound effects recordings and the work of Crawford's foley artist would be used.
Episode 56, "Flashpoint", which first aired on 19 April 1966, was shot entirely on location on film, and most of the dialogue of this episode was post-synched. Over the years the ratio of film to videotape was increased, and synchronised sound became the norm. When the series switched from black and white to colour in 1973, it necessitated shooting entirely on film, as the HSV7 studios were yet to be converted to colour video production.
If a script was amended, a Crawford Productions staff member who lived near the actor concerned, would be required to deliver the new script to their house. Quite often this new dialogue had to be memorised for filming the next day.
Read more about this topic: Homicide (Australian TV Series)
Famous quotes containing the word technical:
“Woman is the future of man. That means that the world which was once formed in man’s image will now be transformed to the image of woman. The more technical and mechanical, cold and metallic it becomes, the more it will need the kind of warmth that only the woman can give it. If we want to save the world, we must adapt to the woman, let ourselves be led by the woman, let ourselves be penetrated by the Ewigweiblich, the eternally feminine!”
—Milan Kundera (b. 1929)