Film
The Holocaust has also been the subject of many films, including The Pawnbroker, Schindler's List, Voyage of the Damned, The Pianist, The Sorrow and the Pity, Night and Fog, Shoah, Sophie's Choice, Life Is Beautiful, Korczak. A list of hundreds of Holocaust movies is available at the University of South Florida and the fullest Holocaust-related film database, comprising thousands of films, is available at the Yad Vashem visual center.
With the aging population of Holocaust survivors, there has also been increasing attention in recent years to preserving the memory of the Holocaust through documentaries. The most influential of these is Claude Lanzmann's Shoah, which attempts to tell the story in as literal a manner as possible, without dramatization of any kind.
Arguably, the most highly acclaimed Holocaust film by critics and historians alike is Alain Resnais’ Night and Fog, which is harrowingly brutal in its graphic depiction of the events at the camps (one of the more notable scenes shows Jewish fat being carved into soap). Many historians and critics have noted its realistic portrayal of the camps and that it lacks the histrionics present in so many other Holocaust films. Indeed, renowned film historian Peter Cowie states “It's a tribute to the clarity and cogency of Night and Fog that Resnais’ masterpiece has not been diminished by time, or displaced by longer and more ambitious films on the Holocaust, such as Shoah (film) and Schindler's List.”
Read more about this topic: Holocaust Literature
Famous quotes containing the word film:
“His education lay like a film of white oil on the black lake of his barbarian consciousness. For this reason, the things he said were hardly interesting at all. Only what he was.”
—D.H. (David Herbert)
“The motion picture is like a picture of a lady in a half- piece bathing suit. If she wore a few more clothes, you might be intrigued. If she wore no clothes at all, you might be shocked. But the way it is, you are occupied with noticing that her knees are too bony and that her toenails are too large. The modern film tries too hard to be real. Its techniques of illusion are so perfect that it requires no contribution from the audience but a mouthful of popcorn.”
—Raymond Chandler (1888–1959)
“A good film script should be able to do completely without dialogue.”
—David Mamet (b. 1947)