Holbein - Gallery

Gallery

  • Portrait of Bonifacius Amerbach, 1519. Oil and tempera on pine, Kunstmuseum Basel.

  • The Body of the Dead Christ in the Tomb, and a detail, 1521–22. Oil and tempera on limewood, Kunstmuseum Basel.

  • Portrait of a Lady with a Squirrel and a Starling, c. 1527–28. Oil and tempera on oak, National Gallery, London.

  • Noli me tangere, possibly 1524–26. Oil and tempera on oak, Royal Collection.

  • Portrait of Jane Seymour, c. 1537. Oil and tempera on oak, Kunsthistorisches Museum, Vienna.

  • Henry VIII and Henry VII, part of cartoon for wall-painting at Whitehall, 1537. Pen in black, with grey, brown, black, and red wash on paper mounted on canvas, National Portrait Gallery, London.

  • Portrait of Christina of Denmark, Duchess of Milan, c. 1538. Oil and tempera on oak, National Gallery, London.

  • Portrait of Anne of Cleves, c. 1539. Oil and tempera on parchment mounted on canvas, Louvre, Paris.

  • Henry Brandon, 2nd Duke of Suffolk, portrait miniature, 1541. Watercolour on vellum, Royal Collection, Windsor Castle.

  • Charles Brandon, 3rd Duke of Suffolk

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Famous quotes containing the word gallery:

    “I should like to have seen a gallery of coronation beauties, at Westminster Abbey, confronted for a moment by this band of Island girls; their stiffness, formality, and affectation contrasted with the artless vivacity and unconcealed natural graces of these savage maidens. It would be the Venus de’ Medici placed beside a milliner’s doll.”
    —Herman Melville (1819–1891)

    “It doesn’t matter that your painting is small. Kopecks are also small, but when a lot are put together they make a ruble. Each painting displayed in a gallery and each good book that makes it into a library, no matter how small they may be, serves a great cause: accretion of the national wealth.”
    —Anton Pavlovich Chekhov (1860–1904)

    “To a person uninstructed in natural history, his country or sea-side stroll is a walk through a gallery filled with wonderful works of art, nine-tenths of which have their faces turned to the wall. Teach him something of natural history, and you place in his hands a catalogue of those which are worth turning round.”
    —Thomas Henry Huxley (1825–95)