Moral Significance
Kocher notes that Tolkien's literary techniques require us to increasingly view Hobbits as like us, especially when placed under moral pressure to survive a war that threatens to devastate their land. Frodo becomes in some ways the symbolic representation of the conscience of Hobbits, a point made explicitly in the story "Leaf by Niggle" which Tolkien wrote at the same time as the first nine chapters of The Lord of the Rings. Niggle is a painter struggling against the summons of death to complete his one great canvas, a picture of a tree with a background of forest and distant mountains. He dies with the work incomplete, undone by his imperfectly generous heart: "it made him uncomfortable more often than it made him do anything". After discipline in Purgatory, however, Niggle finds himself in the very landscape depicted by his painting which he is now able to finish with the assistance of a neighbour who obstructed him during life. The picture complete, Niggle is free to journey to the distant mountains which represent the highest stage of his spiritual development. Thus, upon recovery from the wound inflicted by Angmar on Weathertop, Gandalf speculates that the Hobbit Frodo "may become like a glass filled with a clear light for eyes to see that can". Similarly, as Frodo nears Mount Doom he casts aside weapons and refuses to fight others with physical force: "For him struggles for the right must hereafter be waged only on the moral plane."
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