HMS Monarch (1868) - Design

Design

She was designed by Sir Edward Reed, at a time when the basic configuration of battleship design was undergoing major change simultaneously in many aspects. Sail was gradually giving way to steam, wooden hulls had just been superseded by iron, smoothbore artillery firing round-shot had been overtaken by rifled shell-firing cannon, increasingly heavier armour was being mounted, and there was mounting agitation in naval design circles to abandon broadside armament in favour of that mounted in turrets. In this melting-pot, any battleship design was fated to be a compromise, and the design of Monarch proved to be so.

Having determined that Monarch would carry her main artillery in turrets, the Board of Admiralty then stipulated that, as she was destined for overseas service, and steam engines were not at that time wholly reliable, she must carry a full ship-rig and be fitted with a forecastle. Reed objected to this concept, which had the effect of totally preventing the main artillery from firing on any other angle than on the port and starboard beams. He was overruled, and is reported to have taken little pride in the resulting ship. He himself wrote, in 1869 "no satisfactorily designed turret ship has yet been built, or even laid down.....the middle of the upper deck of a full-rigged ship is not a very eligible place for fighting large guns". In 1871 Reed stated to the Committee on Designs that he wanted on a turret ship no poop and no forecastle, and masts carrying at most light rig past which the guns could fire fore or aft on the centre-line.

The hull of Monarch was different in no significant particular from the hulls of recent broadside ironclads, except that her lines were finer, with a length: beam ratio of 5.7:1; a ratio which was not bettered for a battleship until the building of HMS Dreadnought with a ratio of very nearly 6:1.

Read more about this topic:  HMS Monarch (1868)

Famous quotes containing the word design:

    The reason American cars don’t sell anymore is that they have forgotten how to design the American Dream. What does it matter if you buy a car today or six months from now, because cars are not beautiful. That’s why the American auto industry is in trouble: no design, no desire.
    Karl Lagerfeld (b. 1938)

    You can make as good a design out of an American turkey as a Japanese out of his native stork.
    —For the State of Illinois, U.S. public relief program (1935-1943)

    Teaching is the perpetual end and office of all things. Teaching, instruction is the main design that shines through the sky and earth.
    Ralph Waldo Emerson (1803–1882)