History of Mad - Al Feldstein's Team

Al Feldstein's Team

After the bulk of EC's line was canceled in 1954–55, the company was completely reliant on the improving fortunes of Mad. In a creative showdown, Kurtzman insisted on a 51 percent share in the company or else he would quit. When Gaines rejected the demand, EC was without its dominant creative force, and Kurtzman was separated from the magazine that crystallized his talents. Al Feldstein returned to EC and oversaw Mad during its greatest heights of circulation. Taking over with issue #29, Feldstein set to work assembling a phalanx of humor writers and cartoonists. His first issue as editor coincided with the debut of Don Martin: crucial longtime contributors such as prolific writer Frank Jacobs and star caricaturist Mort Drucker quickly followed. Before the classic Mad staff was assembled, Feldstein also relied on celebrity guest contributions to attract attention and fill pages. Some of these pieces, attributed to Bob and Ray, were actually the work of their main writer Tom Koch, who would flourish in Mad for decades under his own byline. By the early 1960s, working with art director John Putnam and such notables as Antonio Prohias, Al Jaffee and Dave Berg well in hand, Feldstein had fully established the format that was to be a commercial success for decades.

The Mad logo has remained largely unchanged since 1955, save for the decision to italicize the lettering beginning in 1997. For many years, the mysterious letters "IND" appeared in small type within the logo, between the M and the A. Sometimes the Mad logo included cavorting centaurs within the lettering, one of whom would be pointing directly at the IND. Though some fans speculated about the secret meaning of the "M-IND" message, the truth was more prosaic: from 1957 on, the magazine was handled by Independent News Distribution.

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