History of Forensic Photography - Crime Photography

Crime Photography

On the other side of the spectrum of forensic photography, is the crime photography that involves documenting the scene of the crime, rather than the criminal. Though this type of forensic photography was also created for the purpose of documenting, identifying and convicting, it allows more room for creative interpretation and variance of style. It includes taking pictures of the victim (scars, wounds, birthmarks, etc.) for the purpose of identification or conviction; and pictures of the scene (placement of objects, position of body, photos of evidence and fingerprints). The development of this type of forensic photography is responsible for radical changes in the field, including public involvement (crime photos appearing in the newspaper) and new interpretations and purposes of the field.

Bertillon was also the first to methodically photograph and document crime scenes. He did this both at ground level and overhead, which he called "God's-eye-view." While his mug shots encourage people to find differences (from themselves) in physical characteristics of criminals, his crime scene photographs revealed similarities to the public. This made people question, when looking in a newspaper at pictures of a murder that took place in a home that resembles their own, "could this happen to me?" For the first time, people other than criminologists, police or forensic photographers were seeing the effects of crime through forensic photography.

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Famous quotes containing the words crime and/or photography:

    There is a blessed necessity by which the interest of men is always driving them to the right; and, again, making all crime mean and ugly.
    Ralph Waldo Emerson (1803–1882)

    If photography is allowed to stand in for art in some of its functions it will soon supplant or corrupt it completely thanks to the natural support it will find in the stupidity of the multitude. It must return to its real task, which is to be the servant of the sciences and the arts, but the very humble servant, like printing and shorthand which have neither created nor supplanted literature.
    Charles Baudelaire (1821–1867)