History of A Six Weeks' Tour - Description

Description

Further information: Mont Blanc (poem)

History of a Six Weeks' Tour consists of three major sections: a journal, letters from Geneva, and the poem "Mont Blanc". It begins with a short preface, which claims "nothing can be more unpresuming than this little volume" and makes it clear that the couple in the narrative is married (although Mary and Percy were not at the time).

The journal, which switches between the first-person singular and plural but never identifies its narrators, describes Percy, Mary, and Claire’s 1814 six-week tour across the Continent. It is divided by country: France, Switzerland, Germany, and the Netherlands. After the group arrives in Calais and proceeds to Paris, they decide on a plan: "After talking over and rejecting many plans, we fixed on one eccentric enough, but which, from its romance, was very pleasing to us. In England we could not have put it in execution without sustaining continual insult and impertinence: the French are far more tolerant of the vagaries of their neighbours. We resolved to walk through France". Each day they enter a new town; but even while travelling, they spend time writing and reading. The journal comments on the people they meet, the countryside, and the current events that have shaped the environment. Some of what they see is beautiful and some is "barren and wretched". Percy sprains his ankle, which becomes an increasing problem—the group is forced to hire a carriage. By the time the trio reaches Lucerne, they are nearly out of money and decide to return home. They return by boat along the Rhine, the cheapest mode of travel. Despite problems with unreliable boats and dangerous waters, they see some beautiful scenery before landing in England.

The four "Letters from Geneva" cover the period between May and July 1816 which the Shelleys spent at Lake Geneva and switch between the singular and plural first-person. Letters I, II, and IV describe the sublime aspects of Mont Blanc, the Alps, Lake Geneva, and the glaciers around Chamonix:

Mont Blanc was before us, but it was covered with cloud; its base, furrowed with dreadful gaps, was seen above. Pinnacles of snow intolerably bright, part of the chain connected with Mont Blanc, shone through the clouds at intervals on high. I never knew—I never imagined what mountains were before. The immensity of these serial summits excited, when they suddenly burst upon the sight, a sentiment of extatic wonder, not unallied to madness.

Letter III describes a tour around the environs of Vevey and other places associated with the Enlightenment philosopher Jean-Jacques Rousseau: "This journey has been on every account delightful, but most especially, because then I first knew the divine beauty of Rousseau’s imagination, as it exhibits itself in Julie."

"Mont Blanc" compares the sublime aspect of the mountain to the human imagination:

The everlasting universe of things
Flows through the mind, and rolls its rapid waves,
Now dark—now glittering—now reflecting gloom...
Thus thou, ravine of Arve—dark, deep ravine—
Thou many-coloured, many-voiced vale...

While emphasising the ability of the human imagination to uncover truth through a study of nature, the poem also questions religious certainty. However, according to the poem only a privileged few are able to see nature as it truly is and reveal its secrets to the world.

Read more about this topic:  History Of A Six Weeks' Tour

Famous quotes containing the word description:

    God damnit, why must all those journalists be such sticklers for detail? Why, they’d hold you to an accurate description of the first time you ever made love, expecting you to remember the color of the room and the shape of the windows.
    Lyndon Baines Johnson (1908–1973)

    The great object in life is Sensation—to feel that we exist, even though in pain; it is this “craving void” which drives us to gaming, to battle, to travel, to intemperate but keenly felt pursuits of every description whose principal attraction is the agitation inseparable from their accomplishment.
    George Gordon Noel Byron (1788–1824)

    The type of fig leaf which each culture employs to cover its social taboos offers a twofold description of its morality. It reveals that certain unacknowledged behavior exists and it suggests the form that such behavior takes.
    Freda Adler (b. 1934)