Finding Pieces Within Historical Edition Sets
Finding a particular piece of music within one of these multi-volume sets can often be difficult, as many of the series do not have general indices. For pieces within a composer's complete works set, researchers often consult the Grove Dictionary of Music and Musicians, either online or in its printed version. Articles on composers will list the title and publisher of any complete works sets that exist, and within the list of compositions by that composer, will include volume numbers of the complete works set in which each piece is found.
To find pieces within older Monumental Editions, the best resource is still the 3rd edition of Anna Harriet Heyer's Historical Sets, Collected Editions, and Monuments of Music: A Guide to their Content, published in 1980. A more up to date description of newer complete works and monumental edition sets can be found in George R. Hill and Norris L. Stephens, Collected Editions, Historical Series & Sets & Monuments of Music: A Bibliography, but there is no index to find individual pieces. An online database, called the "Index to Printed Music: Collections & Series," is currently underway, but it is accessible by subscription only, and is not yet complete.
Read more about this topic: Historical Editions (music)
Famous quotes containing the words finding, pieces, historical, edition and/or sets:
“Panurge was of medium stature, neither too large, nor too small ... and subject by nature to a malady known at the time as “Money-deficiency,”Ma singular hardship; nevertheless, he had sixty-three ways of finding some for his needs, the most honorable and common of which was by a form of larceny practiced furtively.”
—François Rabelais (1494–1553)
“I saw
that from his lower lip
if you could call it a lip—
grim, wet, and weaponlike,
hung five old pieces of fish-line,”
—Elizabeth Bishop (1911–1979)
“Quite apart from any conscious program, the great cultural historians have always been historical morphologists: seekers after the forms of life, thought, custom, knowledge, art.”
—Johan Huizinga (1872–1945)
“I knew a gentleman who was so good a manager of his time that he would not even lose that small portion of it which the calls of nature obliged him to pass in the necessary-house, but gradually went through all the Latin poets in those moments. He bought, for example, a common edition of Horace, of which he tore off gradually a couple of pages, read them first, and then sent them down as a sacrifice to Cloacina: this was so much time fairly gained.”
—Philip Dormer Stanhope, 4th Earl Chesterfield (1694–1773)
“This is certainly not the place for a discourse about what festivals are for. Discussions on this theme were plentiful during that phase of preparation and on the whole were fruitless. My experience is that discussion is fruitless. What sets forth and demonstrates is the sight of events in action, is living through these events and understanding them.”
—Doris Lessing (b. 1919)