Hindenburg: The Untold Story known in Germany as Das Geheimnis der Hindenburg (The Secret of the Hindenburg) and Die Hindenburg: die ungeklärte Katastrophe, is a two-hour docudrama about the disaster of the Hindenburg, and the investigation that followed. It aired on May 6, 2007, to celebrate the 70th anniversary of the disaster. It was commissioned by Channel 4, ZDF, and the Smithsonian Networks to be produced by Pioneer Productions and has also aired on Discovery Channel Canada. Its original working title was Hindenburg and is also known as Hindenburg: Titanic of the skies (which should not be confused with Titanic of the Sky, a different documentary by Vidicom). The British version is narrated by Malcolm Tierney who plays the role of Hugo Eckener, while John Shrapnel narrates an alternative version which features interviews with survivours.
It provides a reenactment of the Hindenburg Disaster using a detailed computer animated model. The animation was done by Red Vision, which also did the animation for two previous documentaries on the Hindenburg Disaster: Hindenburg Disaster: Probable Cause and an episode of Seconds From Disaster. The film mainly focuses on the official investigation of the disaster. The live actions scenes were shot in Poland and later edited by Red Vision who had previously done animation on two previous documentaries on the Hindenburg Disaster: Hindenburg Disaster: Probable Cause and an episode of Seconds From Disaster.
Famous quotes containing the words untold story, untold and/or story:
“If writers were too wise, perhaps no books would get written at all. It might be better to ask yourself “Why?” afterwards than before. Anyway, the force from somewhere in Space which commands you to write in the first place, gives you no choice. You take up the pen when you are told, and write what is commanded. There is no agony like bearing an untold story inside you.”
—Zora Neale Hurston (1891–1960)
“If you want to tell the untold stories, if you want to give voice to the voiceless, you’ve got to find a language. Which goes for film as well as prose, for documentary as well as autobiography. Use the wrong language, and you’re dumb and blind.”
—Salman Rushdie (b. 1948)
“To recover the fatherhood idea, we must fashion a new cultural story of fatherhood. The moral of today’s story is that fatherhood is superfluous. The moral of the new story must be that fatherhood is essential.”
—David Blankenhorn (20th century)