Hilary Swank - Career

Career

Swank made her movie debut in 1992 in Buffy the Vampire Slayer (film) in a small role, after which she acted in the direct-to-video drama Quiet Days in Hollywood, where she co-starred with her future husband Chad Lowe. Her first leading film role was in The Next Karate Kid (1994), which utilized her gymnastics background and paired her with Pat Morita. It was the fourth movie in the Karate Kid series. In 1995 she appeared with British actor Bruce Payne in Kounterfeit. In September 1997 Swank was cast as single mother Carly Reynolds on Beverly Hills, 90210. She was initially promised it would be a two-year role, but saw her character written out after 16 episodes in January 1998. Swank later stated that she was devastated at being cut from the show, thinking, "If I'm not good enough for 90210, I'm not good enough for anything."

The firing freed her to audition for the role of Brandon Teena in Boys Don't Cry. Swank reduced her body fat to seven percent in preparation for the role. Many critics hailed her as the best female performance of 1999, and Swank's work ultimately won her the Golden Globe and Oscar for Best Actress. Swank had earned only $75 per day for her work on Boys Don't Cry, culminating in a total of $3,000. Her earnings were so low that she had not even earned enough to qualify for health insurance.

Swank again won the Best Actress Oscar, and another Golden Globe, for playing a female boxer in Clint Eastwood's 2004 film Million Dollar Baby, a role for which she underwent extensive training in the ring and weight room gaining 19 pounds of muscle aided by professional trainer Grant L Roberts. With her second Oscar, she had joined the ranks of Vivien Leigh, Helen Hayes, Sally Field, and Luise Rainer as the only actresses to have been nominated for Academy Awards twice and win both times. After winning her second Oscar, she said, "I don't know what I did in this life to deserve this. I'm just a girl from a trailer park who had a dream."

In 2006 Swank signed a three-year contract with Guerlain for the women's fragrance Insolence. She received a star on the Hollywood Walk of Fame on January 8, 2007. Hers was the 2,325th star presented.

In 2007 Swank starred in Freedom Writers, a drama about a real-life teacher, Erin Gruwell, who inspired a California high school class. Many reviews of Swank's performance were positive, with one critic noting that she "brings credibility" to the role, and another stating that her performance reaches a "singular lack of artifice, stripping herself back to the bare essentials". Swank next starred in The Reaping, a horror film released on April 5, 2007, in which she played a debunker of religious phenomena. Swank convinced the producers to move the film's setting from New England to the Deep South, and the movie was being filmed in Baton Rouge, Louisiana when Hurricane Katrina struck. The same year, she also appeared in the romantic comedy P.S. I Love You alongside Gerard Butler.

Swank portrayed the pioneering aviator Amelia Earhart in the biopic Amelia, a film she also co-executive produced. Filming occurred in the summer of 2008 in a number of international locations. Swank met Robert Bresnik, a San Diego artist who supported her role as Earhart by producing several photographic reproductions of the flyer, at Legoland in 2008. Bresnik's grandfather Albert Bresnik was Earhart's official photographer, and he owned the original negatives of his grandfather's shoots.

Swank is also attached to star in the Hollywood remake of Intimate Strangers. In addition, it was incorrectly reported that Swank would play a lead role in, and produce, a film adaptation of the John Marks novel Fangland.

Swank developed potential health problems through certain preparations for her roles, including weight gain and loss for Boys Don't Cry. She has stated that she would "do what need to make believable and to make it work" and that her "battle scars are a reminder that you're alive and human and that you bleed."

Read more about this topic:  Hilary Swank

Famous quotes containing the word career:

    Whether lawyer, politician or executive, the American who knows what’s good for his career seeks an institutional rather than an individual identity. He becomes the man from NBC or IBM. The institutional imprint furnishes him with pension, meaning, proofs of existence. A man without a company name is a man without a country.
    Lewis H. Lapham (b. 1935)

    John Brown’s career for the last six weeks of his life was meteor-like, flashing through the darkness in which we live. I know of nothing so miraculous in our history.
    Henry David Thoreau (1817–1862)

    He was at a starting point which makes many a man’s career a fine subject for betting, if there were any gentlemen given to that amusement who could appreciate the complicated probabilities of an arduous purpose, with all the possible thwartings and furtherings of circumstance, all the niceties of inward balance, by which a man swings and makes his point or else is carried headlong.
    George Eliot [Mary Ann (or Marian)