Plot
Marv Grant is a high school student who lives with his deadbeat, alcoholic father. At school he begins dating the attractive Betty Alexander (Virginia Aldridge), who eventually manipulates him into writing her English class term paper for her. Marv does this, but the subterfuge is easily uncovered by the professor. Betty fails the class, and the professor withdraws his recommendation from Marv's college application, without which Marv has no chance of earning a scholarship. In anger, Betty throws Marv over and returns to her old boyfriend, Vince, revealing that she had only been using Marv from the beginning.
At his part-time job at the docks, Marv overhears his boss plotting a drug transaction worth $1 million cash. The money will be kept in the office safe prior to the deal. In despair, Marv plots to steal the money with the help of safecracker Harry March and another accomplice, and he secures $550,000 of the take for himself. He tells Betty about the pending robbery to entice her to marry him, and she apparently accedes. In reality she secretively tasks her boyfriend, Vince, to steal the money from Marv.
Marv and his associates steal the money, but Vince and two accomplices intervene. Vince shoots one of Marv's unarmed associates, and he is horrified. When Betty arrives on the scene soon afterwards, Vince accuses her of making him do this, and he kills her, too. Vince's accomplices flee, but the police soon arrive. Marv is arrested and the money falls into the water, being lost.
Read more about this topic: High School Big Shot
Famous quotes containing the word plot:
“Trade and the streets ensnare us,
Our bodies are weak and worn;
We plot and corrupt each other,
And we despoil the unborn.”
—Ralph Waldo Emerson (1803–1882)
“After I discovered the real life of mothers bore little resemblance to the plot outlined in most of the books and articles I’d read, I started relying on the expert advice of other mothers—especially those with sons a few years older than mine. This great body of knowledge is essentially an oral history, because anyone engaged in motherhood on a daily basis has no time to write an advice book about it.”
—Mary Kay Blakely (20th century)
“The plot! The plot! What kind of plot could a poet possibly provide that is not surpassed by the thinking, feeling reader? Form alone is divine.”
—Franz Grillparzer (1791–1872)