Origins and Shape
It is possible that as a simple geometric shape, like for example the triangle, circle, or square, the hexagram has been created by various peoples with no connection to one another.
The hexagram is a mandala symbol called satkona yantra or sadkona yantra found on ancient South Indian Hindu temples. It symbolizes the nara-narayana, or perfect meditative state of balance achieved between Man and God, and if maintained, results in "moksha," or "nirvana" (release from the bounds of the earthly world and its material trappings).
Another theory, though apparently not very substantiated, about the origin of the shape is that it is simply 2 of the 3 letters in the name David: in its Hebrew spelling, David is transliterated as "D-V-D." In Biblical Hebrew, the letter "D" (Dalet) was written in a form like an upside-down and backwards "L," but when seen in the Greek, the letter "Delta" (Δ) is a triangle. The symbol may have been a simple family crest formed by flipping and juxtaposing the two most prominent letters in the name. The letter "W" in this case could reference the compositing operation of the two Deltas.
Some researchers have theorized that the hexagram represents the astrological chart at the time of David's birth or anointment as king. The hexagram is also known as the "King's Star" in astrological circles.
In antique papyri, pentagrams, together with stars and other signs, are frequently found on amulets bearing the Jewish names of God, and used to guard against fever and other diseases. Curiously the hexagram is not found among these signs. In the Greek Magical Papyri (Wessely, l.c. pp. 31, 112) at Paris and London there are twenty-two signs side by side, and a circle with twelve signs, but neither a pentagram nor a hexagram.
Read more about this topic: Hexagram (6-pointed Star)
Famous quotes containing the words origins and, origins and/or shape:
“Lucretius
Sings his great theory of natural origins and of wise conduct; Plato
smiling carves dreams, bright cells
Of incorruptible wax to hive the Greek honey.”
—Robinson Jeffers (1887–1962)
“Compare the history of the novel to that of rock ‘n’ roll. Both started out a minority taste, became a mass taste, and then splintered into several subgenres. Both have been the typical cultural expressions of classes and epochs. Both started out aggressively fighting for their share of attention, novels attacking the drama, the tract, and the poem, rock attacking jazz and pop and rolling over classical music.”
—W. T. Lhamon, U.S. educator, critic. “Material Differences,” Deliberate Speed: The Origins of a Cultural Style in the American 1950s, Smithsonian (1990)
“The beauty of the internal nature cannot be so far concealed by its accidental vesture, but that the spirit of its form shall communicate itself to the very disguise and indicate the shape it hides from the manner in which it is worn. A majestic form and graceful motions will express themselves through the most barbarous and tasteless costume.”
—Percy Bysshe Shelley (1792–1822)