History
Heritage Watch was established following the rampant looting of Phum Snay, an immense Iron Age burial ground in Cambodia’s northwest. After its discovery in 1999, Phum Snay was destroyed by looters seeking its rich grave offerings—beautiful ceramics, iron weapons and gold and bronze jewelry. Rescue excavations were conducted at the site, but 90% of it was already lost. Realizing that an entire chapter of Cambodia’s history was disappearing, a group of archaeologists made it their mission to promote the protection of the country’s heritage. To better achieve this goal, Heritage Watch was founded.
Heritage Watch’s Board of Directors includes international leaders in the field of Southeast Asian studies. The organization has frequently been featured in both the national and the international media, including The Times, The Associated Press, The BBC, and in a documentary on the U.S. Public Broadcasting Station. It has twice been the recipient of the U.S. Ambassador’s Fund for Cultural Heritage, and has also received awards from UNESCO, Friends of Khmer Culture, Lonely Planet Publications, and number private organizations and donors.
In its first few years of operations, Heritage Watch has accomplished a great deal. With generous funding from the U.S. Department of State, it launched a national public awareness campaign targeting both those who loot and buy antiquities. Heritage Watch attacked the supply end of the trade through informative radio and television commercials, educational comic books, and community workshops for villagers in heavily looted areas and the establishment of a telephone hot-line. Tourists were informed about the negative consequences of buying looted art through public exhibits, airport kiosks, and public lectures.
Read more about this topic: Heritage Watch
Famous quotes containing the word history:
“In the history of the United States, there is no continuity at all. You can cut through it anywhere and nothing on this side of the cut has anything to do with anything on the other side.”
—Henry Brooks Adams (18381918)
“The visual is sorely undervalued in modern scholarship. Art history has attained only a fraction of the conceptual sophistication of literary criticism.... Drunk with self-love, criticism has hugely overestimated the centrality of language to western culture. It has failed to see the electrifying sign language of images.”
—Camille Paglia (b. 1947)
“Postmodernism is, almost by definition, a transitional cusp of social, cultural, economic and ideological history when modernisms high-minded principles and preoccupations have ceased to function, but before they have been replaced with a totally new system of values. It represents a moment of suspension before the batteries are recharged for the new millennium, an acknowledgment that preceding the future is a strange and hybrid interregnum that might be called the last gasp of the past.”
—Gilbert Adair, British author, critic. Sunday Times: Books (London, April 21, 1991)