Works
- Guilty of Everything: The Autobiography of Herbert Huncke (New York: Paragon House Publishers, 1990), Edited by Don Kennison, foreword by William S. Burroughs. ISBN 1-55778-044-7.
- Guilty of Everything (excerpt) Edited by Raymond Foye. (New York & Madras: Hanuman Books, 1987), ISBN 0-937815-08-X
- The Evening Sun Turned Crimson (Cherry Valley, NY: Cherry Valley Editions, 1980), ISBN 0-916156-43-5.
- Huncke's Journal (Poets Press, 1965). Out of Print. Edited by Diane DiPrima, foreword by Allen Ginsberg.
- The Herbert Huncke Reader edited by Ben Schafer (New York: Morrow, 1997), ISBN 0-688-15266-X. (Includes the complete texts of The Evening Sun Turned Crimson and Huncke's Journal).
- Again–The Hospital (White Fields Press, Louisville, 1995). 1/50 copies. (Broadside; single sheet, measuring 12 by 22 inches, illustrated with a photograph of Huncke.)
- Herbert E. Huncke 1915-1996 (New York: Jerry Poynton 1996). (Limited edition of 100 copies of the program for the Herbert Huncke memorial at Friends Meetinghouse, New York City. Includes original texts.)
- From Dream to Dream (Netherlands, 1994, cd)
- Herbert Huncke - Guilty of Everything. Double-CD of Huncke's 1987 live reading at Ins & Outs Press, Amsterdam, the Netherlands. Co-production released by Unrequited Records, San Francisco (2012).
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Famous quotes containing the word works:
“I cannot spare water or wine, Tobacco-leaf, or poppy, or rose;
From the earth-poles to the line, All between that works or grows,
Every thing is kin of mine.”
—Ralph Waldo Emerson (18031882)
“The slightest living thing answers a deeper need than all the works of man because it is transitory. It has an evanescence of life, or growth, or change: it passes, as we do, from one stage to the another, from darkness to darkness, into a distance where we, too, vanish out of sight. A work of art is static; and its value and its weakness lie in being so: but the tuft of grass and the clouds above it belong to our own travelling brotherhood.”
—Freya Stark (b. 18931993)
“The mind, in short, works on the data it receives very much as a sculptor works on his block of stone. In a sense the statue stood there from eternity. But there were a thousand different ones beside it, and the sculptor alone is to thank for having extricated this one from the rest.”
—William James (18421910)