Herbert Adams (sculptor) - Selected Works

Selected Works

  • 1888 - Boys and Turtles Fountain, Fitchburg, Massachusetts.
  • 1894 - The Rabbi's Daughter, private collection.
  • 1896-98 - Two bronze doors: Truth, Research, Library of Congress, Washington, D.C. Begun by Olin Levi Warner in 1895.
  • 1897 - Bust of Professor Joseph Henry, Library of Congress, Washington, D.C.
  • 1898 - Bust of Julia Marlowe as Juliet, Museum of the City of New York, New York, New York.
  • 1898 - Memorial Tablets, Massachusetts State House, Boston, Massachusetts.
  • 1898-1905 - Vanderbilt Memorial bronze doors, St. Bartholomew's Church, New York, New York.
  • 1899-1901 - Richard Smith (type-founder), Smith Memorial Arch, Fairmount Park, Philadelphia, Pennsylvania.
  • 1900 - Jonathan Edwards Memorial, First Congregational Church, Northampton, Massachusetts.
  • 1902 - William Ellery Channing, Boston Public Garden, Boston, Massachusetts.
  • 1902-05 - Matthias William Baldwin, City Hall, Philadelphia, Philadelphia.
  • 1912 - McMillan Fountain, Washington, D.C.
  • 1919-23 - James Scott, Belle Isle Park, Detroit, Michigan, Cass Gilbert, architect.
  • 1926-28 - World War Memorial, Fitchburg, Massachusetts.
  • 1928 - Girl with Water Lilies, National Gallery of Art, Washington, D.C.

  • Bronze door, Truth (1896-98), Library of Congress, Washington, D.C.

  • Bronze door, Research (1896-98), Library of Congress, Washington, D.C.

  • Richard Smith (1899-1901), Smith Memorial Arch, Philadelphia, Pennsylvania.

  • William Ellery Channing (1902), Boston Public Garden.

  • Matthias William Baldwin (1902-05), City Hall, Philadelphia, Pennsylvania.

  • Girl with Water Lilies (1928), National Gallery of Art, Washington, D.C.

Read more about this topic:  Herbert Adams (sculptor)

Famous quotes containing the words selected and/or works:

    “The final flat of the hoe’s approval stamp
    Is reserved for the bed of a few selected seed.”
    —Robert Frost (1874–1963)

    “Only the more uncompromising of the mystics still seek for knowledge in a silent land of absolute intuition, where the intellect finally lays down its conceptual tools, and rests from its pragmatic labors, while its works do not follow it, but are simply forgotten, and are as if they never had been.”
    —Josiah Royce (1855–1916)