Henry Lynn (born July 21, 1895 – August 25, 1984) was a film director, screenwriter, and producer, who concentrated on Yiddish life and culture in the United States, early twentieth century, (1932–1939), the era of Yiddish film in America. Lynn was an innovator in sound technology, frequently commissioned original music, and he used popular radio and opera stars Boris Thomashefsky, Esther Field, and Seymour Rechzeit, as well as New York stage actors like Celia Adler.
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“Lord of himself, though not of lands,
And having nothing, yet hath all.”
—Sir Henry Wotton (1568–1639)
“In the quilts I had found good objects—hospitable, warm, with soft edges yet resistant, with boundaries yet suggesting a continuous safe expanse, a field that could be bundled, a bundle that could be unfurled, portable equipment, light, washable, long-lasting, colorful, versatile, functional and ornamental, private and universal, mine and thine.”
—Radka Donnell-Vogt, U.S. quiltmaker. As quoted in Lives and Works, by Lynn F. Miller and Sally S. Swenson (1981)