Character
Henry IV proved to be a man of vision and courage. Instead of waging costly wars to suppress opposing nobles, Henry simply paid them off. As king, he adopted policies and undertook projects to improve the lives of all subjects, which made him one of the country's most popular rulers ever.
A declaration often attributed to him is:
| “ | Si Dieu me prête vie, je ferai qu’il n’y aura point de laboureur en mon royaume qui n’ait les moyens d’avoir le dimanche une poule dans son pot!
(If God keeps me, I will make sure that there is no sharecropper in my kingdom who does not have the means to have a chicken in the pot every Sunday!) |
” |
This statement epitomizes the peace and relative prosperity Henry brought to France after decades of religious war, and demonstrates how well he understood the plight of the French worker or peasant farmer. This real concern for the living conditions of the 'lowly' population – who in the final analysis provided the economic basis on which the power of the king and the great nobles rested – was perhaps without parallel among the Kings of France. It also made Henry IV extremely popular with the population.
Henry's forthright manner, physical courage and military successes also contrasted dramatically with the sickly, effete languor of the last tubercular Valois kings, as evinced by his blunt assertion that he ruled with "weapon in hand and arse in the saddle" (on a le bras armé et le cul sur la selle). He was also a great womanizer, fathering many children by a number of his mistresses.
Read more about this topic: Henry IV Of France
Famous quotes containing the word character:
“Happy will that house be in which the relations are formed from character; after the highest, and not after the lowest order; the house in which character marries, and not confusion and a miscellany of unavowable motives.”
—Ralph Waldo Emerson (1803–1882)
“The character of the logger’s admiration is betrayed by his very mode of expressing it.... He admires the log, the carcass or corpse, more than the tree.... What right have you to celebrate the virtues of the man you murdered?”
—Henry David Thoreau (1817–1862)
“An actor rides in a bus or railroad train; he sees a movement and applies it to a new role. A woman in agony of spirit might turn her head just so; a man in deep humiliation probably would wring his hands in such a way. From straws like these, drawn from completely different sources, the fabric of a character may be built. The whole garment in which the actor hides himself is made of small externals of observation fitted to his conception of a role.”
—Eleanor Robson Belmont (1878–1979)