Works
The collected writings of Henrik Wergeland (Samlede Skrifter : trykt og utrykt) were published in 23 volumes in 1918-1940, edited by Herman Jæger and Didrik Arup Seip. An earlier compilation also titled Samlede Skrifter ("Collected Works", 9 vols., Christiania, 1852–1857) was edited by H. Lassen, the author of Henrik Wergeland og hans Samtid (1866), and the editor of his Breve ("Letters", 1867).
Wergeland's Jan van Huysums Blomsterstykke (Flower-piece by Jan van Huysum, 1840), Svalen (The Swallow, also translated to English, 1841), Jøden (The Jew 1842), Jødinden (The Jewess 1844) and Den Engelske Lods (The English Pilot 1844), form a series of narrative poems in short lyrical metres which remain the most interesting and important of their kind in Norwegian literature. He was less successful in other branches of letters; in the drama neither his Campbellerne (The Campbells 1839), Venetianerne (The Venetians 1843), nor Søkadetterne (The Sea Cadets 1837), achieved any lasting success; while his elaborate contribution to political history, Norges Constitutions Historie (The History of the Norwegian Constitution 1841-1843, is still regarded as an important source. The poems of his later years include many lyrics of great beauty, which are among the permanent treasures of Norwegian poetry.
The erroneous belief that he really became a Muslim, derives from a letter to his father, written on 17 May 1845, where he, in the letter, mentions God as Allah once, though he returns to the word God for the rest of the letter. In the letters written after this, the word Allah is never mentioned again, but the letters to his father often ends with the sentence God bless you (in fact, the letters mentioned does not consider religious questions at all). The phrase I die a deist, an honest worshiper of Allah, may point to his religious tolerance, and the fact that Christian Arabs in the Middle East use the word Allah for the Christian god, as does the Indonesian Bible. As a matter of fact, Wergeland always set Christianity first of the religions, although he once proclaimed: All religions have a gentle and loving heart. The "Convertist" view of Wergeland has sometimes led to newspaper debates in recent years.
Wergeland became a symbol for the Norwegian Left-wing movement, and was embraced by many later Norwegian poets, right up until today. Thus, a great number of later poets owe him allegiance in one way or another. As the Norwegian poet Ingeborg Refling Hagen said, "When in our footprints something sprouts,/ it's a new growth of Wergeland's thoughts." She, among others, initiated an annual celebration on his birthday. She started the traditional "flower-parade", and celebrated his memory with recitation and song, and often performing his plays.
Wergeland's most prominent poetical symbols are the flower and the star, symbolizing heavenly and earthly love, nature and beauty.
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Famous quotes containing the word works:
“His character as one of the fathers of the English language would alone make his works important, even those which have little poetical merit. He was as simple as Wordsworth in preferring his homely but vigorous Saxon tongue, when it was neglected by the court, and had not yet attained to the dignity of a literature, and rendered a similar service to his country to that which Dante rendered to Italy.”
—Henry David Thoreau (1817–1862)
“Men seem anxious to accomplish an orderly retreat through the centuries, earnestly rebuilding the works behind them, as they are battered down by the encroachments of time; but while they loiter, they and their works both fall prey to the arch enemy.”
—Henry David Thoreau (1817–1862)
“We thus worked our way up this river, gradually adjusting our thoughts to novelties, beholding from its placid bosom a new nature and new works of men, and, as it were with increasing confidence, finding nature still habitable, genial, and propitious to us; not following any beaten path, but the windings of the river, as ever the nearest way for us. Fortunately, we had no business in this country.”
—Henry David Thoreau (1817–1862)