Works
The collected writings of Henrik Wergeland (Samlede Skrifter : trykt og utrykt) were published in 23 volumes in 1918-1940, edited by Herman Jæger and Didrik Arup Seip. An earlier compilation also titled Samlede Skrifter ("Collected Works", 9 vols., Christiania, 1852–1857) was edited by H. Lassen, the author of Henrik Wergeland og hans Samtid (1866), and the editor of his Breve ("Letters", 1867).
Wergeland's Jan van Huysums Blomsterstykke (Flower-piece by Jan van Huysum, 1840), Svalen (The Swallow, also translated to English, 1841), Jøden (The Jew 1842), Jødinden (The Jewess 1844) and Den Engelske Lods (The English Pilot 1844), form a series of narrative poems in short lyrical metres which remain the most interesting and important of their kind in Norwegian literature. He was less successful in other branches of letters; in the drama neither his Campbellerne (The Campbells 1839), Venetianerne (The Venetians 1843), nor Søkadetterne (The Sea Cadets 1837), achieved any lasting success; while his elaborate contribution to political history, Norges Constitutions Historie (The History of the Norwegian Constitution 1841-1843, is still regarded as an important source. The poems of his later years include many lyrics of great beauty, which are among the permanent treasures of Norwegian poetry.
The erroneous belief that he really became a Muslim, derives from a letter to his father, written on 17 May 1845, where he, in the letter, mentions God as Allah once, though he returns to the word God for the rest of the letter. In the letters written after this, the word Allah is never mentioned again, but the letters to his father often ends with the sentence God bless you (in fact, the letters mentioned does not consider religious questions at all). The phrase I die a deist, an honest worshiper of Allah, may point to his religious tolerance, and the fact that Christian Arabs in the Middle East use the word Allah for the Christian god, as does the Indonesian Bible. As a matter of fact, Wergeland always set Christianity first of the religions, although he once proclaimed: All religions have a gentle and loving heart. The "Convertist" view of Wergeland has sometimes led to newspaper debates in recent years.
Wergeland became a symbol for the Norwegian Left-wing movement, and was embraced by many later Norwegian poets, right up until today. Thus, a great number of later poets owe him allegiance in one way or another. As the Norwegian poet Ingeborg Refling Hagen said, "When in our footprints something sprouts,/ it's a new growth of Wergeland's thoughts." She, among others, initiated an annual celebration on his birthday. She started the traditional "flower-parade", and celebrated his memory with recitation and song, and often performing his plays.
Wergeland's most prominent poetical symbols are the flower and the star, symbolizing heavenly and earthly love, nature and beauty.
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Famous quotes containing the word works:
“Do not worry about the incarnation of ideas. If you are a poet, your works will contain them without your knowledge—they will be both moral and national if you follow your inspiration freely.”
—Vissarion Belinsky (1810–1848)
“Was it an intellectual consequence of this ‘rebirth,’ of this new dignity and rigor, that, at about the same time, his sense of beauty was observed to undergo an almost excessive resurgence, that his style took on the noble purity, simplicity and symmetry that were to set upon all his subsequent works that so evident and evidently intentional stamp of the classical master.”
—Thomas Mann (1875–1955)
“To receive applause for works which do not demand all our powers hinders our advance towards a perfecting of our spirit. It usually means that thereafter we stand still.”
—G.C. (Georg Christoph)