Personal and Political Struggle
Critics, especially Johan Sebastian Welhaven, claimed his earliest efforts in literature were wild and formless. He was full of imagination, but without taste or knowledge. Therefore, from 1830 to 1835 Wergeland was subjected to severe attacks from Welhaven and others. Welhaven, being a classicist, could not tolerate Wergeland's explosive way of writing, and published an essay about Wergeland's style. As an answer to these attacks, Wergeland published several poetical farces under the pseudonym of "Siful Sifadda". Welhaven showed no understanding of Wergeland's poetical style, or even of his personality. On one hand, the quarrel was personal, on the other, cultural and political. What had started as a mock-quarrel in the Norwegian Students' Community soon blew out of proportion and became a long lasting newspaper dispute for nearly two years. Sadly, Welhaven's criticism, and the slander produced by his friends, created a lasting prejudice against Wergeland and his early productions. Recently, this has been debated, and his early poetry has been more favorably recognized. Wergeland's poetry can in fact be regarded as strangely modernistic. From early on, he wrote poems in free style, without rhymes or metre. His use of metaphors are vivid, and complex, and many of his poems quite long. He challenges the reader to contemplate his poems over and over, but so do his contemporaries Byron and Shelley, or even Shakespeare. The free form and multiple interpretations especially offended Welhaven, who held an aesthetical view of poetry as appropriately concentrated on one topic at a time.
Wergeland supported the thought of a separate and independent language for Norway, who until this point had written in Danish. Thus, he preceded Ivar Aasen by 15 years. Later, the Norwegian historian Halvdan Koht would say, that "there is not one political cause in Norway, which has not been seen and preceded by Henrik Wergeland".
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