Henrik Ibsen - Works

Works

  • 1850 Catiline (Catilina)
  • 1850 The Burial Mound also known as The Warrior's Barrow (Kjæmpehøjen)
  • 1851 Norma (Norma)
  • 1852 St. John's Eve (Sancthansnatten)
  • 1854 Lady Inger of Oestraat (Fru Inger til Østeraad)
  • 1855 The Feast at Solhaug (Gildet paa Solhaug)
  • 1856 Olaf Liljekrans (Olaf Liljekrans)
  • 1857 The Vikings at Helgeland (Hærmændene paa Helgeland)
  • 1862 Digte - only released collection of poetry, included "Terje Vigen".
  • 1862 Love's Comedy (Kjærlighedens Komedie)
  • 1863 The Pretenders (Kongs-Emnerne)
  • 1866 Brand (Brand)
  • 1867 Peer Gynt (Peer Gynt)
  • 1869 The League of Youth (De unges Forbund)
  • 1873 Emperor and Galilean (Kejser og Galilæer)
  • 1877 Pillars of Society (Samfundets Støtter)
  • 1879 A Doll's House (Et Dukkehjem)
  • 1881 Ghosts (Gengangere)
  • 1882 An Enemy of the People (En Folkefiende)
  • 1884 The Wild Duck (Vildanden)
  • 1886 Rosmersholm (Rosmersholm)
  • 1888 The Lady from the Sea (Fruen fra Havet)
  • 1890 Hedda Gabler (Hedda Gabler)
  • 1892 The Master Builder (Bygmester Solness)
  • 1894 Little Eyolf (Lille Eyolf)
  • 1896 John Gabriel Borkman (John Gabriel Borkman)
  • 1899 When We Dead Awaken (Når vi døde vaagner)

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Famous quotes containing the word works:

    “The appetite of workers works for them; their hunger urges them on.”
    —Bible: Hebrew, Proverbs 16:26.

    “That man’s best works should be such bungling imitations of Nature’s infinite perfection, matters not much; but that he should make himself an imitation, this is the fact which Nature moans over, and deprecates beseechingly. Be spontaneous, be truthful, be free, and thus be individuals! is the song she sings through warbling birds, and whispering pines, and roaring waves, and screeching winds.”
    —Lydia M. Child (1802–1880)

    “Only the more uncompromising of the mystics still seek for knowledge in a silent land of absolute intuition, where the intellect finally lays down its conceptual tools, and rests from its pragmatic labors, while its works do not follow it, but are simply forgotten, and are as if they never had been.”
    —Josiah Royce (1855–1916)