Henrik Ibsen - Works

Works

  • 1850 Catiline (Catilina)
  • 1850 The Burial Mound also known as The Warrior's Barrow (Kjæmpehøjen)
  • 1851 Norma (Norma)
  • 1852 St. John's Eve (Sancthansnatten)
  • 1854 Lady Inger of Oestraat (Fru Inger til Østeraad)
  • 1855 The Feast at Solhaug (Gildet paa Solhaug)
  • 1856 Olaf Liljekrans (Olaf Liljekrans)
  • 1857 The Vikings at Helgeland (Hærmændene paa Helgeland)
  • 1862 Digte - only released collection of poetry, included "Terje Vigen".
  • 1862 Love's Comedy (Kjærlighedens Komedie)
  • 1863 The Pretenders (Kongs-Emnerne)
  • 1866 Brand (Brand)
  • 1867 Peer Gynt (Peer Gynt)
  • 1869 The League of Youth (De unges Forbund)
  • 1873 Emperor and Galilean (Kejser og Galilæer)
  • 1877 Pillars of Society (Samfundets Støtter)
  • 1879 A Doll's House (Et Dukkehjem)
  • 1881 Ghosts (Gengangere)
  • 1882 An Enemy of the People (En Folkefiende)
  • 1884 The Wild Duck (Vildanden)
  • 1886 Rosmersholm (Rosmersholm)
  • 1888 The Lady from the Sea (Fruen fra Havet)
  • 1890 Hedda Gabler (Hedda Gabler)
  • 1892 The Master Builder (Bygmester Solness)
  • 1894 Little Eyolf (Lille Eyolf)
  • 1896 John Gabriel Borkman (John Gabriel Borkman)
  • 1899 When We Dead Awaken (Når vi døde vaagner)

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Famous quotes containing the word works:

    I shall not bring an automobile with me. These inventions infest France almost as much as Bloomer cycling costumes, but they make a horrid racket, and are particularly objectionable. So are the Bloomers. Nothing more abominable has ever been invented. Perhaps the automobile tricycles may succeed better, but I abjure all these works of the devil.
    Henry Brooks Adams (1838–1918)

    You are always looking for already-felt emotions, just as you like to get an old pair of trousers back from the cleaners, which seem new when you don’t look too closely. Artists are cleaners, don’t let yourself be taken in by them. True modern works of art are made not by artists but quite simply by men.
    Francis Picabia (1878–1953)

    Was it an intellectual consequence of this ‘rebirth,’ of this new dignity and rigor, that, at about the same time, his sense of beauty was observed to undergo an almost excessive resurgence, that his style took on the noble purity, simplicity and symmetry that were to set upon all his subsequent works that so evident and evidently intentional stamp of the classical master.
    Thomas Mann (1875–1955)