Hedda Sterne

Hedda Sterne (born Hedwig Lindenberg; August 4, 1910 – April 8, 2011) was an artist best remembered as the only woman in a group of Abstract Expressionists known as "The Irascibles" which consisted of Jackson Pollock, Willem de Kooning, Barnett Newman, Mark Rothko, and others. Sterne was, in fact, the only woman photographed with the group by Nina Leen for Life magazine in 1950. In her artistic endavors she created a body of work known for exhibiting a stubborn independence from styles and trends, including Surrealism and Abstract Expressionism, with which she is often associated.

Sterne has been almost completely overlooked in art historical narratives of the post-war American art scene. At the time of her death, possibly the last surviving artist of the first-generation of the New York School, Hedda Sterne viewed her widely varied works more as in flux than as definitive statements. In 1944 she married Saul Steinberg the Romanian-born American cartoonist and illustrator, best known for his work for The New Yorker.

During the late 1940s she became a member of The Irascible Eighteen, a group of abstract painters who protested the Metropolitan Museum of Art's policy towards American painting of the 1940s and who posed for a famous picture in 1950; members of the group besides Sterne included: Willem de Kooning, Adolph Gottlieb, Ad Reinhardt, Richard Pousette-Dart, William Baziotes, Jimmy Ernst, Jackson Pollock, James Brooks, Clyfford Still, Robert Motherwell, Bradley Walker Tomlin, Theodoros Stamos, Barnett Newman, and Mark Rothko.

Her works are in the collections of museums including the Museum of Modern Art (MoMA) in New York, the National Gallery of Art in Washington D.C., and the National Museum of Women in the Arts, also in Washington D.C. She turned 100 in August 2010.

Read more about Hedda Sterne:  Biography, Legacy, Career, Artworks, Awards, One Woman Shows, Group Shows (Abbreviated List), Collections

Famous quotes containing the words hedda and/or sterne:

    Ibsen is like this room where we are sitting, with all the tables and chairs. Do I care whether you have twenty or twenty-five links on your chain? Hedda Gabler, Nora and the rest: it is not that I want! I want Rome and the Coliseum, the Acropolis, Athens; I want beauty, and the flame of life.
    Eleonora Duse (1859–1924)

    I would go fifty miles on foot, for I have not a horse worth riding on, to kiss the hand of that man whose generous heart will give up the reins of his imagination into his author’s hands,—be pleased he knows not why, and cares not wherefore.
    —Laurence Sterne (1713–1768)