Head Wound City is an American noisegrind supergroup consisting of Jordan Blilie and Cody Votolato of The Blood Brothers, Nick Zinner from Yeah Yeah Yeahs, and Justin Pearson and Gabe Serbian, both from The Locust and Holy Molar. Their debut self-titled EP was released in 2005 on Three One G (both CD and limited 10" vinyl EP), and was written, recorded, and produced all in the time span of one week.
Their music is best described as rapid-fire bursts of noise and screams, or as vocalist Jordan Billie puts it, "It's kind of like if Alien and Predator started a band instead of fighting each other ." The songs are typically quite short in length, with the aforementioned EP running less than 10 minutes in seven songs . The lyrics stay as rough as the sound which patterned along with the mathcore and thrashcore result in unique wave of modern punk with similar sound and effect to all of Justin Pearson and Three One G Records projects.
While no plans have been formally discussed, members such as Pearson and Votolato have mentioned possibilities of Head Wound City getting back together. Personal differences amongst the former Blood Brothers members is said to be the reason holding them back.
Read more about Head Wound City: Influences, Live Performances, Discography, Band Members
Famous quotes containing the words head, wound and/or city:
“Most childhood problems don’t result from “bad” parenting, but are the inevitable result of the growing that parents and children do together. The point isn’t to head off these problems or find ways around them, but rather to work through them together and in doing so to develop a relationship of mutual trust to rely on when the next problem comes along.”
—Fred Rogers (20th century)
“Where we come from in America no longer signifies—it’s where we go, and what we do when we get there, that tells us who we are.
The irony of the role of women in my business, and in so many other places, too, was that while we began by demanding that we be allowed to mimic the ways of men, we wound up knowing we would have to change those ways. Not only because those ways were not like ours, but because they simply did not work.”
—Anna Quindlen (b. 1952)
“This city is neither a jungle nor the moon.... In long shot: a cosmic smudge, a conglomerate of bleeding energies. Close up, it is a fairly legible printed circuit, a transistorized labyrinth of beastly tracks, a data bank for asthmatic voice-prints.”
—Susan Sontag (b. 1933)