Art Produced By Visitors
Some of the first westerners to visit Hawaii were artists—both professional and amateur. Many of the explorers’ ships had professional artists to record their discoveries. These artists sketched and painted Hawaii’s people and landscapes using imported materials and concepts. Artists in this category include Alfred Thomas Agate (American 1812-1849), Mabel Alvarez (American 1891-1985), Auguste Borget (French 1809-1877), George Henry Burgess (English 1831-1905), Jean Charlot (French 1898-1979), Nicholas Chevalier (1828-1902), Louis Choris (German–Ukrainian 1795-1828), Ernest William Christmas (Australian 1863- 1918), Amelia R. Coats (American), Constance Fredericka Gordon Cumming (Scottish 1837-1924), Robert Dampier (English 1800-1874), Stanislas-Henri-Benoit Darondeau (French (1807-1841), John La Farge (American 1835-1910), Ejler Andreas Jorgensen (Danish 1838-1876), Georgia O'Keeffe (American 1887-1986), Roi George Partridge (American 1888-1984), Ambrose McCarthy Patterson (Australian 1877-1967), Enoch Wood Perry, Jr. (American 1831-1915), James Gay Sawkins (British 1806-1878), Eduardo Lefebvre Scovell (English 1864-1918), Joseph Henry Sharp (American 1859-1953), John Mix Stanley (American 1814-1872), Joseph Dwight Strong (American 1852-1899), Augustus Vincent Tack (American 1870-1949), Adrien Taunay the younger (French 1803-1828), Jules Tavernier (French 1844-1889), William Pinkney Toler (American 1826-1899), Hubert Vos (Dutch 1855-1935), Lionel Walden (American 1861-1933), John Webber (Swiss-English 1752-1793) and Theodore Wores (American 1859-1939). Night scenes of erupting volcanoes were especially popular giving rise to The Volcano School.
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Famous quotes containing the words art, produced and/or visitors:
“Art and science coincide insofar as both aim to improve the lives of men and women. The latter normally concerns itself with profit, the former with pleasure. In the coming age, art will fashion our entertainment out of new means of productivity in ways that will simultaneously enhance our profit and maximize our pleasure.”
—Bertolt Brecht (1898–1956)
“The peculiar evil of silencing the expression of an opinion is, that it is robbing the human race; posterity as well as the existing generation; those who dissent from the opinion, still more than those who hold it. If the opinion is right, they are deprived of the opportunity of exchanging error for truth: if wrong, they lose, what is almost as great a benefit, the clearer perception and livelier impression of truth, produced by its collision with error.”
—John Stuart Mill (1806–1873)
“For most visitors to Manhattan, both foreign and domestic, New York is the Shrine of the Good Time. “I don’t see how you stand it,” they often say to the native New Yorker who has been sitting up past his bedtime for a week in an attempt to tire his guest out. “It’s all right for a week or so, but give me the little old home town when it comes to living.” And, under his breath, the New Yorker endorses the transfer and wonders himself how he stands it.”
—Robert Benchley (1889–1945)