Characters
There are three male characters in the play, they are:
- Joe Lukin, Julia's father, now in his sixties, never let his daughter go, convinced there are unanswered questions about her death;
- Andy Rollinson, generally considered Julia's student boyfriend, but unrequited admirer would be a more accurate description, now in his thirties;
- Ken Chase, a gentle unassuming man in his forties who offers his service as a psychic to Joe, later discovered to have once been the janitor in Julia's house.
There are also two voice parts in the play: one of Julia (or, more accurately, an actress imitating her voice speaking words the real Julia would probably never have said), and a sombre male voice talking about her death.
It was originally intended that Joe would be the central character of the story, but Ayckbourn eventually considered the central character of the story to be Julia herself. He also considered two other offstage characters - Dolly, Joe's late wife, and Kay, the woman Andy married instead of Julia - to be strong characters.
Read more about this topic: Haunting Julia
Famous quotes containing the word characters:
“Of the other characters in the book there is, likewise, little to say. The most endearing one is obviously the old Captain Maksim Maksimich, stolid, gruff, naively poetical, matter-of- fact, simple-hearted, and completely neurotic.”
—Vladimir Nabokov (1899–1977)
“The Nature of Familiar Letters, written, as it were, to the Moment, while the Heart is agitated by Hopes and Fears, on Events undecided, must plead an Excuse for the Bulk of a Collection of this Kind. Mere Facts and Characters might be comprised in a much smaller Compass: But, would they be equally interesting?”
—Samuel Richardson (1689–1761)
“A criminal trial is like a Russian novel: it starts with exasperating slowness as the characters are introduced to a jury, then there are complications in the form of minor witnesses, the protagonist finally appears and contradictions arise to produce drama, and finally as both jury and spectators grow weary and confused the pace quickens, reaching its climax in passionate final argument.”
—Clifford Irving (b. 1930)