Selected Films
- Oliver Twist (1948), singer in the thieves' pub
- Trottie True (1949), music hall performer
- Waterfront (1950), singer
- Scrooge (1951) US title A Christmas Carol, Mrs Fezziwig
- Chance of a Lifetime (1950), Alice
- Up to His Neck (1954), Rakiki
- As Long as They're Happy (1955), party girl
- Now and Forever (1956)
- Carry On Sergeant (1958), Captain Clark
- The Square Peg (1958), Gretchen
- Carry On Nurse (1959), Matron
- The Navy Lark (1959), fortune-teller
- The Night We Dropped a Clanger (1959), Ada
- Carry On Teacher (1959), Grace Short
- Follow a Star (1959), Dymphna Dobson
- Make Mine Mink (1960), Nanette Parry
- Carry On Constable (1960), Sergeant Laura Moon
- School for Scoundrels (1960), First Instructress
- In the Doghouse (1961), Gudgeon
- Carry On Regardless (1961), Sister
- She'll Have to Go (1962), Miss Richards
- The Punch and Judy Man (1963), Dolly Zarathusa, the Fortune Teller
- Carry On Cabby (1963), Peggy
- Carry On Doctor (1967), Matron
- Rhubarb (1969), Nurse Rhubarb
- Crooks and Coronets (1969), Mabel
- Monte Carlo or Bust (1969), lady journalist
- Carry On Camping (1969), Miss Haggerd
- Carry On Again Doctor (1969), Matron
- The Magic Christian (1969), Ginger Horton
- Carry On Loving (1970), Sophie Bliss
- Carry On at Your Convenience (1971), Beatrice Plummer
- Carry On Matron (1971), Matron
- Carry On Abroad (1972), Floella
- Carry On Dick (1974), Martha Hoggett
Read more about this topic: Hattie Jacques
Famous quotes containing the words selected and/or films:
“The final flat of the hoe’s approval stamp
Is reserved for the bed of a few selected seed.”
—Robert Frost (1874–1963)
“Television does not dominate or insist, as movies do. It is not sensational, but taken for granted. Insistence would destroy it, for its message is so dire that it relies on being the background drone that counters silence. For most of us, it is something turned on and off as we would the light. It is a service, not a luxury or a thing of choice.”
—David Thomson, U.S. film historian. America in the Dark: The Impact of Hollywood Films on American Culture, ch. 8, William Morrow (1977)
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