Harve Presnell - Stage and Film Career

Stage and Film Career

In 1956, Presnell co-starred with Herva Nelli in the American premiere of Darius Milhaud's "David," at the Hollywood Bowl. In 1960, he was a featured soloist with the Los Angeles Philharmonic in another concert at the Bowl. In attendance at the concert was musical theater composer Meredith Willson who was at that time in the midst of creating his musical on the life of Molly Brown, Titanic survivor. Willson contacted him after the concert and asked him to audition for him. Presnell complied and Wilson ended up offering him the role of "Leadville Johnny." At this point the musical was not completed and Wilson went on to compose much of the music for Leadville Johnny with Presnell's voice in mind.

On November 3, 1960, The Unsinkable Molly Brown opened on Broadway at the Winter Garden Theatre to a resounding success. Presnell stayed with the show for its entire 532 performance run, which ended on February 10, 1962. He reprised the role in the 1964 film The Unsinkable Molly Brown for which he won a Golden Globe Award for New Star of the Year. He starred in two films in 1965: portraying Sol Rogers, a cavalry scout, in The Glory Guys and Danny Churchill, the romantic lead, in the musical film When the Boys Meet the Girls.

He had one more sizable film role in the 1960s, the role of "Rotten Luck Willie" in the 1969 film Paint Your Wagon. He sang "They Call the Wind Maria" in the film. The New York Times said that Presnell's role in the film "delivered the golden opportunity to sing the unforgettable ballad." Theater writer Thomas Hischak said that "in one of the film's few pleasing moments, Harve Presnell gave full voice to They Call the Wind Maria and it was lovely to hear". Referring to Eastwood and Marvin, film reviewer Brian W. Fairbanks wrote that "Harve Presnell steals both stars' thunder with a knockout version of the best song"

Presnell did some other film and television work in the 1960s and early 1970s, but for the next couple of decades concentrated primarily on stage work, playing Rhett Butler in the West End production of Scarlett and touring the United States as Daddy Warbucks in Annie and its sequel, Annie Warbucks, among other productions. In 1966, Presnell played the role of Sir Lancelot in Camelot in the Regional Equity production at The Houston Music Theatre, owned by Art Linkletter and Nick Mayo (the partnership also owned the Valley Music Theatre in California).

His film career was revived when he played William H. Macy's testy father-in-law in Fargo (1996). Subsequent parts included General George C. Marshall in Saving Private Ryan, Dean Anderson in Patch Adams, Mr. Parker on The Pretender, Dr. Sam Lane on Lois & Clark: The New Adventures of Superman, and A.I. Brooks on Dawson's Creek. He starred in NBC's Andy Barker, P.I.

In 1984 Presnell appeared as Don Quixote in Man of La Mancha at the Darien Dinner Theater, an appearance well received by The New York Times. Theater critic Alvin Klein called Presnell "a winning leading man", and wrote:

As an actor, Mr. Presnell promises much, and as a singer, he delivers. Here is one of the shiniest vocal accounts of the role yet. The actor is on the verge of suggesting that in his implausible way, the Don can bring a measure of grace to the world and fulfill that old impossible dream.