Production
British film director Mike Newell was chosen to direct the film after Harry Potter and the Prisoner of Azkaban director Alfonso Cuarón announced that he would only direct one Potter film. In a statement explaining the transition of directors, series producer David Heyman said:
| “ | When Alfonso made the decision to focus on completing Harry Potter and the Prisoner of Azkaban, we were faced with the daunting task of finding a director to handle the complex challenges of Harry Potter and the Goblet of Fire and to follow in the footsteps of Chris Columbus and Alfonso Cuarón. Mike's rich and diverse body of work show him to be the perfect choice. He has worked with children, made us laugh, and had us sitting on the edge of our seats. He is great with actors and imbues all his characters, all his films, with great humanity. I'm thrilled. | ” |
Principle photography for Goblet of Fire began on 4 May 2004. Scenes involving the film's principle actors began filming on 25 June 2004 at England’s Leavesden Studios.
Steve Kloves, the screenwriter for the previous installments, returned for Goblet of Fire. On adapting the 734-page book into a feature-length film, Kloves commented that "we always thought it would be two movies, but we could never figure out a way to break it in two. So it will be a different experience from the book."
Read more about this topic: Harry Potter And The Goblet Of Fire (film)
Famous quotes containing the word production:
“The myth of unlimited production brings war in its train as inevitably as clouds announce a storm.”
—Albert Camus (1913–1960)
“An art whose limits depend on a moving image, mass audience, and industrial production is bound to differ from an art whose limits depend on language, a limited audience, and individual creation. In short, the filmed novel, in spite of certain resemblances, will inevitably become a different artistic entity from the novel on which it is based.”
—George Bluestone, U.S. educator, critic. “The Limits of the Novel and the Limits of the Film,” Novels Into Film, Johns Hopkins Press (1957)
“The heart of man ever finds a constant succession of passions, so that the destroying and pulling down of one proves generally to be nothing else but the production and the setting up of another.”
—François, Duc De La Rochefoucauld (1613–1680)