Life
Martinson was born in Jämshög, Blekinge County in south-eastern Sweden. At a young age he lost both his parents whereafter he was placed as a foster child (Kommunalbarn) in the Swedish countryside. At the age of sixteen Martinson ran away and signed onto a ship to spend the next years sailing around the world visiting countries such as Brazil and India.
A few years later lung problems forced him to set ashore in Sweden where he travelled around without a steady employment, at times living as a vagabond on country roads. In the city of Malmö, at the age of 21, he was arrested for vagrancy.
In 1929, he debuted as a poet. Together with Artur Lundkvist, Gustav Sandgren, Erik Asklund and Josef Kjellgren he authored the anthology Fem unga (Five Youths), which introduced Swedish Modernism. His poetry combined an acute eye for, and love of nature, with a deeply-felt humanism. His popular success as a novelist came with the semi-autobiographical Nässlorna blomma (Flowering Nettles) in 1935, about hardships encountered by a young boy in the countryside. It has since been translated into more than thirty languages.
From 1929 to 1940, he was married to Moa Martinson, whom he met through a Stockholm anarchist newspaper Brand. He travelled to the Soviet Union in 1934. He and Moa were divorced due to her criticism of his lack of political commitment. Moa became a writer; Harry married Ingrid Lindcrantz in 1942.
One of his most famous works is the poetic cycle Aniara, which is a story of the space craft Aniara that during a journey through space loses its course and subsequently floats on without destination. The book was published in 1956 and became an opera in 1959 composed by Karl-Birger Blomdahl. The cycle has been described as "an epic story of man's fragility and folly".
He took his life on 11 February 1978 at the Karolinska University Hospital in Stockholm by performing Seppuku with a pair of scissors.
The 100th anniversary of Martinson's birth was celebrated around Sweden in 2004.
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Famous quotes containing the word life:
“I have heard that whoever loves is in no condition old. I have heard that whenever the name of man is spoken, the doctrine of immortality is announced; it cleaves to his constitution. The mode of it baffles our wit, and no whisper comes to us from the other side. But the inference from the working of intellect, hiving knowledge, hiving skill,—at the end of life just ready to be born,—affirms the inspirations of affection and of the moral sentiment.”
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“Music is of two kinds: one petty, poor, second-rate, never varying, its base the hundred or so phrasings which all musicians understand, a babbling which is more or less pleasant, the life that most composers live.”
—Honoré De Balzac (1799–1850)
“Worst, when this sensualism intrudes into the education of young women, and withers the hope and affection of human nature, by teaching that marriage signifies nothing but a housewife’s thrift, and that woman’s life has no other aim.”
—Ralph Waldo Emerson (1803–1882)