Life
Martinson was born in Jämshög, Blekinge County in south-eastern Sweden. At a young age he lost both his parents whereafter he was placed as a foster child (Kommunalbarn) in the Swedish countryside. At the age of sixteen Martinson ran away and signed onto a ship to spend the next years sailing around the world visiting countries such as Brazil and India.
A few years later lung problems forced him to set ashore in Sweden where he travelled around without a steady employment, at times living as a vagabond on country roads. In the city of Malmö, at the age of 21, he was arrested for vagrancy.
In 1929, he debuted as a poet. Together with Artur Lundkvist, Gustav Sandgren, Erik Asklund and Josef Kjellgren he authored the anthology Fem unga (Five Youths), which introduced Swedish Modernism. His poetry combined an acute eye for, and love of nature, with a deeply-felt humanism. His popular success as a novelist came with the semi-autobiographical Nässlorna blomma (Flowering Nettles) in 1935, about hardships encountered by a young boy in the countryside. It has since been translated into more than thirty languages.
From 1929 to 1940, he was married to Moa Martinson, whom he met through a Stockholm anarchist newspaper Brand. He travelled to the Soviet Union in 1934. He and Moa were divorced due to her criticism of his lack of political commitment. Moa became a writer; Harry married Ingrid Lindcrantz in 1942.
One of his most famous works is the poetic cycle Aniara, which is a story of the space craft Aniara that during a journey through space loses its course and subsequently floats on without destination. The book was published in 1956 and became an opera in 1959 composed by Karl-Birger Blomdahl. The cycle has been described as "an epic story of man's fragility and folly".
He took his life on 11 February 1978 at the Karolinska University Hospital in Stockholm by performing Seppuku with a pair of scissors.
The 100th anniversary of Martinson's birth was celebrated around Sweden in 2004.
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Famous quotes containing the word life:
“This form, this face, this life
Living to live in a world of time beyond me; let me
Resign my life for this life, my speech for that unspoken,
The awakened, lips parted, the hope, the new ships.”
—T.S. (Thomas Stearns)
“There’s a theory, one I find persuasive, that the quest for knowledge is, at bottom, the search for the answer to the question: “Where was I before I was born.” In the beginning was ... what? Perhaps, in the beginning, there was a curious room, a room like this one, crammed with wonders; and now the room and all it contains are forbidden you, although it was made just for you, had been prepared for you since time began, and you will spend all your life trying to remember it.”
—Angela Carter (1940–1992)
“The ancients adorned their sarcophagi with the emblems of life and procreation, and even with obscene symbols; in the religions of antiquity the sacred and the obscene often lay very close together. These men knew how to pay homage to death. For death is worthy of homage as the cradle of life, as the womb of palingenesis.”
—Thomas Mann (1875–1955)