Harp - Origins

Origins

The origin of the harp goes back to Mesopotamia, The earliest harps and lyres were found in Sumer c, 3500 BCE Several harps were found in burial pits and royal tombs in Ur. The oldest depictions of harps without a forepillar are from 500 BCE, which was the Persian harp of Perspolis/Persia in Iran and from 400 BCE in Egypt. The Harp (Persian: چنگ Chang) flourished in Persia in many forms from its introduction, about 3000 BCE, until the 17th century. The original type was the arched harp as seen at Choghâ Miš and on later third millennium seals (fig. 1a-c). Around 1900 BCE they were replaced by angular harps with verti-cal (fig. 2) or horizontal (fig. 3) sound boxes. By the start of the Common Era, "robust, vertical, angular harps" (fig. 2), which had become predominant in the Hellenistic world, were cherished in the Sasanian court. In the last century of the Sasanian period, angular harps were redesigned to make them as light as possible ("light, vertical, angular harps," fig. 4); while they became more elegant, they lost their structural rigidity. At the height of the Persian tradition of illustrated book production (1300 to 1600 C.E.), such light harps were still frequently depicted, although their use as musical instruments was reaching its end.

  • Ancient Persian harps carved in stone

  • An ancient Egyptian harp on display in the British Museum

Read more about this topic:  Harp

Famous quotes containing the word origins:

    The settlement of America had its origins in the unsettlement of Europe. America came into existence when the European was already so distant from the ancient ideas and ways of his birthplace that the whole span of the Atlantic did not widen the gulf.
    Lewis Mumford (1895–1990)

    Compare the history of the novel to that of rock ‘n’ roll. Both started out a minority taste, became a mass taste, and then splintered into several subgenres. Both have been the typical cultural expressions of classes and epochs. Both started out aggressively fighting for their share of attention, novels attacking the drama, the tract, and the poem, rock attacking jazz and pop and rolling over classical music.
    W. T. Lhamon, U.S. educator, critic. “Material Differences,” Deliberate Speed: The Origins of a Cultural Style in the American 1950s, Smithsonian (1990)

    Lucretius
    Sings his great theory of natural origins and of wise conduct; Plato
    smiling carves dreams, bright cells
    Of incorruptible wax to hive the Greek honey.
    Robinson Jeffers (1887–1962)