Production
Hardware Wars was written and directed by San Francisco native Ernie Fosselius and produced by Michael Wiese. It was structured as a mock-movie trailer, and Fosselius even secured narration from veteran voice-over artist Paul Frees, who provided the voice work for the original Star Wars trailers. Fosselius capitalised on his budget limitations by using deliberately ridiculous household objects as props; spaceships were represented with such items as steam irons, toasters and cassette recorders, and the lightsaber of "Fluke Starbucker" was a flashlight. The characters, played by actors who were just as low-budget as the props, were also parodied in name and appearance; for example, Chewbacca the wookiee was replaced by "Chewchilla the Wookiee Monster," an obvious Cookie Monster puppet, dyed brown, and Darth Vader's counterpart, "Darph Nader," wore a welding helmet that distorted his voice so much that no one could understand anything he said. Other notable characters include "Ham Salad," "Augie Ben Doggie," "Princess Anne-Droid," and the drones, "4-Q-2" (who resembles the Tin Woodman from the Wizard of Oz) and "Arty Deco" (an antique canister vacuum cleaner). Upon completion, Scott Mathews vowed to never act in another film again, saying; "I'm goin' out on top, baby!"
Read more about this topic: Hardware Wars
Famous quotes containing the word production:
“The repossession by women of our bodies will bring far more essential change to human society than the seizing of the means of production by workers.”
—Adrienne Rich (b. 1929)
“The growing of food and the growing of children are both vital to the family’s survival.... Who would dare make the judgment that holding your youngest baby on your lap is less important than weeding a few more yards in the maize field? Yet this is the judgment our society makes constantly. Production of autos, canned soup, advertising copy is important. Housework—cleaning, feeding, and caring—is unimportant.”
—Debbie Taylor (20th century)
“The production of obscurity in Paris compares to the production of motor cars in Detroit in the great period of American industry.”
—Ernest Gellner (b. 1925)