Production
Eastwood spent much of late 1966 and 1967 dubbing for the English-language version of the Dollars Trilogy and being interviewed, something which left him feeling angry and frustrated. Stardom brought more roles in the "tough guy" mold and Irving Leornard gave him a script to a new film, the American revisionist western Hang 'Em High, a cross between Rawhide and Leone's westerns, written by Mel Goldberg and produced by Leonard Freeman. However, the William Morris Agency had wanted him to star in a bigger picture, Mackenna's Gold with a cast of notable actors such as Gregory Peck, Omar Sharif and Telly Savalas. Eastwood, however, did not approve and preferred the script for Hang 'Em High but had one complaint which he voiced to the producers; the scene before the first hanging, where the hero is attacked by the enemies. Eastwood believed that the scene would not be suitable in a saloon and they eventually agreed to introduce a prostitute scene in which the attack takes place afterwards as Eastwood enters the bar. Eastwood signed for the film with a salary of $400,000 and 25% of the net earnings to the film, playing the character of Cooper, a man accused by vigilantes of a cow baron's murder and lynched and left for dead and later seeks revenge.
With the wealth generated by the Dollars trilogy, Leonard helped set up a new production company for Eastwood, Malpaso Productions, something he had long yearned for and was named after a river on Eastwood's property in Monterey County. Leonard became the company's president and arranged for Hang 'Em High to be a joint production with United Artists. Directors Robert Aldrich and John Sturges were considered for the director's helm, but on the request of Eastwood, old friend Ted Post was brought in to direct, against the wishes of producer Leonard Freeman, who Eastwood had urged away. Post was important in casting for the film and arranged for Inger Stevens of The Farmer's Daughter fame to play the role of Rachel Warren and had not heard of Eastwood or Sergio Leone at the time but instantly took a liking to Clint and accepted.
Read more about this topic: Hang 'Em High
Famous quotes containing the word production:
“The society based on production is only productive, not creative.”
—Albert Camus (19131960)
“The growing of food and the growing of children are both vital to the familys survival.... Who would dare make the judgment that holding your youngest baby on your lap is less important than weeding a few more yards in the maize field? Yet this is the judgment our society makes constantly. Production of autos, canned soup, advertising copy is important. Houseworkcleaning, feeding, and caringis unimportant.”
—Debbie Taylor (20th century)
“An art whose limits depend on a moving image, mass audience, and industrial production is bound to differ from an art whose limits depend on language, a limited audience, and individual creation. In short, the filmed novel, in spite of certain resemblances, will inevitably become a different artistic entity from the novel on which it is based.”
—George Bluestone, U.S. educator, critic. The Limits of the Novel and the Limits of the Film, Novels Into Film, Johns Hopkins Press (1957)