Notable Appearances in Media
G-AAUD Hanno starred in the 1937 short film, Air Outpost - 24 Hours at the City and Airport of Sharjah in the Persian Gulf. G-AAXD Horatius can be seen in the 1937 film Stolen Holiday with Kay Francis and Claude Rains. Midway through the film, they fly from London to Geneva on G-AAXD, a series of images shows the aircraft taking off and landing, with the registration clearly visible.
A fictitious aircraft, G-AAXJ Horus, stars in the fifth album of Belgian Yoko Tsuno series, Message pour l'éternité. An unidentified H.P.42 is clearly seen in the beginning of the Hayao Miyazaki animated film Kiki's Delivery Service. The H.P.42 features in Roy Lockwood's 1934 short documentary film Airport (a "day-in-the-life" of London's Croydon Airport).
An H.P.42 also appears in the Graphic Novel Biggles: Deadly Snow, which takes place in 1951. The markings on the plane are G-AAXF, which would correspond to the Helena, although the story happens 10 years after the particular plane stopped flying.
Heracles-class biplanes (and the luxurious, purpose-built Croydon Airport of the day) are also described by Alexander Frater when revisiting the first leg of the long and adventurous, early 1930s Imperial Airways England-to-Australia route, in the book Beyond the Blue Horizon.
Read more about this topic: Handley Page H.P.42
Famous quotes containing the words notable, appearances and/or media:
“Every notable advance in technique or organization has to be paid for, and in most cases the debit is more or less equivalent to the credit. Except of course when it’s more than equivalent, as it has been with universal education, for example, or wireless, or these damned aeroplanes. In which case, of course, your progress is a step backwards and downwards.”
—Aldous Huxley (1894–1963)
“It is doubtless wise, when a reform is introduced, to try to persuade the British public that it is not a reform at all; but appearances must be kept up to some extent at least.”
—George Bernard Shaw (1856–1950)
“The media no longer ask those who know something ... to share that knowledge with the public. Instead they ask those who know nothing to represent the ignorance of the public and, in so doing, to legitimate it.”
—Serge Daney (1944–1992)