Production
According to the Halloween: 25 Years of Terror documentary DVD, Miramax wanted to take Michael Myers out of the film but Moustapha Akkad and the fans disagreed and insisted that it would be another "Michael Myers piece". But after learning a lesson with Halloween III: Season of the Witch, Miramax had decided not to go with a "Myersless sequel". The film's working title was "Halloween: The Homecoming", but producers wanted a title that said Michael Myers is alive, so in February 2002, the film was officially renamed as "Halloween: Resurrection". Also, the release date for the film was originally set as September 21, 2001, but producers at Dimension Films wanted the film to be stronger so re-shoots took place from September to October 2001 and the release date was changed to April 19, 2002 and then again to July 12, 2002. Both Whitney Ransick and Dwight H. Little were approached to direct the film but turned it down. Later Rick Rosenthal, the director of Halloween II, was chosen to direct. During the casting period of the film, producers considered Danielle Harris (who played Jamie Lloyd in Halloween 4: The Return of Michael Myers and Halloween 5: The Revenge of Michael Myers) for a role in the film. In post production Bianca Kajlich's screams had to be dubbed because of her inability to scream. The film's trailer was delivered on April 26, 2002 with the release of Jason X. Principal photography began in Vancouver, British Columbia in 2001 with the opening scene filmed at Riverview Hospital in Coquitlam, BC.
Read more about this topic: Halloween: Resurrection
Famous quotes containing the word production:
“... this dream that men shall cease to waste strength in competition and shall come to pool their powers of production is coming to pass all over the earth.”
—Jane Addams (1860–1935)
“An art whose limits depend on a moving image, mass audience, and industrial production is bound to differ from an art whose limits depend on language, a limited audience, and individual creation. In short, the filmed novel, in spite of certain resemblances, will inevitably become a different artistic entity from the novel on which it is based.”
—George Bluestone, U.S. educator, critic. “The Limits of the Novel and the Limits of the Film,” Novels Into Film, Johns Hopkins Press (1957)
“Constant revolutionizing of production ... distinguish the bourgeois epoch from all earlier ones. All fixed, fast-frozen relations, with their train of ancient and venerable prejudices are swept away, all new-formed ones become antiquated before they can ossify. All that is solid melts into air, all that is holy is profaned, and man is at last compelled to face with sober senses, his real conditions of life, and his relations with his kind.”
—Karl Marx (1818–1883)