Production
According to the Halloween: 25 Years of Terror documentary DVD, Miramax wanted to take Michael Myers out of the film but Moustapha Akkad and the fans disagreed and insisted that it would be another "Michael Myers piece". But after learning a lesson with Halloween III: Season of the Witch, Miramax had decided not to go with a "Myersless sequel". The film's working title was "Halloween: The Homecoming", but producers wanted a title that said Michael Myers is alive, so in February 2002, the film was officially renamed as "Halloween: Resurrection". Also, the release date for the film was originally set as September 21, 2001, but producers at Dimension Films wanted the film to be stronger so re-shoots took place from September to October 2001 and the release date was changed to April 19, 2002 and then again to July 12, 2002. Both Whitney Ransick and Dwight H. Little were approached to direct the film but turned it down. Later Rick Rosenthal, the director of Halloween II, was chosen to direct. During the casting period of the film, producers considered Danielle Harris (who played Jamie Lloyd in Halloween 4: The Return of Michael Myers and Halloween 5: The Revenge of Michael Myers) for a role in the film. In post production Bianca Kajlich's screams had to be dubbed because of her inability to scream. The film's trailer was delivered on April 26, 2002 with the release of Jason X. Principal photography began in Vancouver, British Columbia in 2001 with the opening scene filmed at Riverview Hospital in Coquitlam, BC.
Read more about this topic: Halloween: Resurrection
Famous quotes containing the word production:
“The problem of culture is seldom grasped correctly. The goal of a culture is not the greatest possible happiness of a people, nor is it the unhindered development of all their talents; instead, culture shows itself in the correct proportion of these developments. Its aim points beyond earthly happiness: the production of great works is the aim of culture.”
—Friedrich Nietzsche (1844–1900)
“The myth of unlimited production brings war in its train as inevitably as clouds announce a storm.”
—Albert Camus (1913–1960)
“The production of obscurity in Paris compares to the production of motor cars in Detroit in the great period of American industry.”
—Ernest Gellner (b. 1925)