Gun Fu - Heroic Bloodshed and Gun Fu

Heroic Bloodshed and Gun Fu

Director John Woo originated the style in the Hong Kong film A Better Tomorrow in 1986. The film launched the "heroic bloodshed" genre in Hong Kong, and "gun fu" action sequences became a regular feature in many of the subsequent heroic bloodshed films. John Woo continued to make several classic heroic bloodshed films, all featuring gun fu, and all starring leading man Chow Yun-fat. Chow wielding a gun in each hand became an iconic cinema image around the world.

Anthony Leong wrote of the gunfights in A Better Tomorrow,

Before 1986, Hong Kong cinema was firmly rooted in two genres: the martial arts film and the comedy. Gunplay was not terribly popular because audiences had considered it boring, compared to fancy kung-fu moves or graceful swordplay of the wu shu epics. What moviegoers needed was a new way to present gunplay-- to show it as a skill that could be honed, integrating the acrobatics and grace of the traditional martial arts. And that's exactly what John Woo did. Using all of the visual techniques available to him (tracking shots, dolly-ins, slo-mo), Woo created beautifully surrealistic action sequences that were a 'guilty pleasure' to watch. There is also intimacy found in the gunplay-- typically, his protagonists and antagonists will have a profound understanding of one another and will meet face-to-face, in a tense Mexican standoff where they each point their weapons at one another and trade words.

Stephen Hunter, writing in The Washington Post wrote,

Woo saw gunfights in musical terms: His primary conceit was the shootout as dance number, with great attention paid to choreography, the movement of both actors within the frame. He loved to send his shooters flying through the air in surprising ways, far more poetically than in any real-life scenario. He frequently diverted to slow motion and he specialized in shooting not merely to kill, but to riddle -- his shooters often blast their opponents five and six times.

Other Hong Kong directors also began using gun fu sequences in films that were not strictly heroic bloodshed films, such as Wong Jing's God of Gamblers (1989). There were several heroic bloodshed films that did not feature gun fu, but opted for more realistic combat, such as Ringo Lam's City on Fire (1987).

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Famous quotes containing the words heroic, bloodshed and/or gun:

    It is impossible to strive for the heroic life. The title of hero is bestowed by the survivors upon the fallen, who themselves know nothing of heroism.
    Johan Huizinga (1872–1945)

    Politics is war without bloodshed while war is politics with bloodshed.
    Mao Zedong (1893–1976)

    Resorts advertised for waitresses, specifying that they “must appear in short clothes or no engagement.” Below a Gospel Guide column headed, “Where our Local Divines Will Hang Out Tomorrow,” was an account of spirited gun play at the Bon Ton. In Jeff Winney’s California Concert Hall, patrons “bucked the tiger” under the watchful eye of Kitty Crawhurst, popular “lady” gambler.
    —Administration in the State of Colo, U.S. public relief program (1935-1943)