Building
The simple classical form of the building, a plain rectangular box with two tiers of arched windows in the side walls, at the east a shallow projection for the communion table and at the west a portico over the pavement and a short spire containing a clock and bell to call the faithful to worship, is derived from recently completed churches such as James Gibbs’ St Martin in the Fields or John James’ St George's, Hanover Square. With the aid of these examples and the illustrations in numerous pattern books available at the time a competent builder like Timbrell, who had worked with Gibbs at St. Martin’s, could himself have easily produced the design for the chapel without needing to commission an architect. The Anglo-Catholic liturgical style of the chapel was expressed in the building by the introduction of fittings and adornments by Sir John Ninian Comper in 1912-13.
Read more about this topic: Grosvenor Chapel
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