Grosse Pointe - Architecture

Architecture

Grosse Pointe has a significant collection of historic architecture as well as some newer mansions. Albert Kahn designed the Edsel & Eleanor Ford House (1927) at 1100 Lakeshore Dr. in Grosse Pointe. Rose Terrace (1934–1976), the mansion of Anna Dodge, once stood at 12 Lakeshore Dr. in Grosse Pointe. Designed by Horace Trumbauer as a Louis XV styled château, Rose Terrace was an enlarged version of the firm's Miramar in Newport, RI. A developer, the highest bidder for Rose Terrace, demolished it in 1976 to create an upscale neighborhood. This gave a renewed sense of urgency to preservationists. The Dodge Collection from Rose Terrace may be viewed at the Detroit Institute of Arts. The Italian Renaissance styled Russell A. Alger House (1910), at 32 Lakeshore Dr., by architect Charles A. Platt serves as the Grosse Pointe War Memorial. Many noted architects designed works in Grosse Pointe including Albert Kahn, Marcel Breuer, Marcus Burrowes, Chittendon and Kotting, Crombie & Stanton, Wallace Frost, Robert O. Derrick, John M. Donaldson, Louis Kamper, August Geiger, William Kessler, Hugh T. Keyes, George D. Mason, Charles A. Platt, Leonard Willeke, Eliel and Eero Saarinen, Field, Hinchman, and Smith, William Buck Stratton, and Minoru Yamasaki. Included below are examples of some of Grosse Pointe's many historic structures.

Read more about this topic:  Grosse Pointe

Famous quotes containing the word architecture:

    Poetry is not only dream and vision; it is the skeleton architecture of our lives. It lays the foundations for a future of change, a bridge across our fears of what has never been before.
    Audre Lorde (1934–1992)

    It seems a fantastic paradox, but it is nevertheless a most important truth, that no architecture can be truly noble which is not imperfect.
    John Ruskin (1819–1900)

    The two elements the traveler first captures in the big city are extrahuman architecture and furious rhythm. Geometry and anguish. At first glance, the rhythm may be confused with gaiety, but when you look more closely at the mechanism of social life and the painful slavery of both men and machines, you see that it is nothing but a kind of typical, empty anguish that makes even crime and gangs forgivable means of escape.
    Federico García Lorca (1898–1936)