No Longer Included in Last Edition
- Das Birnli will nit fallen
- Blaubart (Bluebeard)
- Die drei Schwestern (The Three Sisters)
- Die Prinzessin auf der Erbse (Princess and the Pea)
- Der Faule und der Fleißige (The sluggard and the diligent)
- Der gestiefelte Kater (Puss in Boots)
- Der gute Lappen (Fragment) (The good rag)
- Die Hand mit dem Messer (The hand with the knife)
- Hans Dumm
- Die heilige Frau Kummernis (The holy woman Kummernis)
- Hurleburlebutz
- Die Krähen (The Crows)
- Der Löwe und der Frosch (The Lion and the Frog)
- Das Mörderschloss (The Murder Castle)
- Der Okerlo (The Okerlo)
- Prinzessin Mäusehaut (Princess Mouse Skin)
- Der Räuber und seine Söhne (The Robber and His Sons)
- Schneeblume (Snow Flowers)
- Der Soldat und der Schreiner (The Soldier and the Carpenter)
- Der Tod und der Gänsehirt (Death and the Goose herder)
- Die treuen Tiere (The faithful animals)
- Das Unglück (The Accident)
- Vom Prinz Johannes (Fragment) (Of Prince Johannes)
- Vom Schreiner und Drechsler (From the Maker and Turner)
- Von der Nachtigall und der Blindschleiche (The nightingale and the slow worm)
- Von der Serviette, dem Tornister, dem Kanonenhütlein und dem Horn (Of the napkin, the knapsack, the Cannon guarding flax, and the Horn)
- Wie Kinder miteinander Schlachten gespielt haben (How children played slaughter with each other)
- Der wilde Mann (The Wild Man)
- Die wunderliche Gasterei (The strange Inn)
Read more about this topic: Grimms' Fairy Tales
Famous quotes containing the words longer, included and/or edition:
“Things thought too long can be no longer thought
For beauty dies of beauty, worth of worth,
And ancient lineaments are blotted out.”
—William Butler Yeats (1865–1939)
“People accept a representation in which the elements of wish and fantasy are purposely included but which nevertheless proclaims to represent “the past” and to serve as a guide-rule for life, thereby hopelessly confusing the spheres of knowledge and will.”
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“I knew a gentleman who was so good a manager of his time that he would not even lose that small portion of it which the calls of nature obliged him to pass in the necessary-house, but gradually went through all the Latin poets in those moments. He bought, for example, a common edition of Horace, of which he tore off gradually a couple of pages, read them first, and then sent them down as a sacrifice to Cloacina: this was so much time fairly gained.”
—Philip Dormer Stanhope, 4th Earl Chesterfield (1694–1773)