Grey Towers Castle - Design

Design

Grey Towers Castle is designed in a highly eclectic yet elegant fashion, taking inspiration from a variety of styles, periods, and buildings. The house is built of grey stone quarried at nearby Chestnut Hill, and Indiana limestone is used for exterior door and window trim, and other elements, such as the various gargoyles.

The interiors of the castle reflect various French styles ranging from Renaissance through Louis XV. The massive twin mantles in the Great Hall are interpretations of a Renaissance mantle in the Salle des Gardes, in the Francis I wing of Château de Blois. The Library, now the President's office, and the Dining room, both on the south side of the Great Hall, contain many elements reminiscent of French Renaissance decoration. The walnut cabinetry and plaster friezes in the Library and the and columns and caraytids and strapwork ceiling in the Dining room are inspired by interiors of the Château de Fontainebleau.

On the north side of the Great Hall lay the Mirror Room and the Drawing Room, now known as the Rose Room. It is thought that the entirety of the Mirror Room was ordered at the New York office of a French firm, then crafted in France and shipped to Glenside, along with workers, to be installed. The ceiling was painted by François Lafon, and depicts the four seasons as women, accompanied by cupids, with the path of the Zodiac behind them.

In the Great Hall, which rises three stories to a grand barrel vaulted and gilded ceiling, the Grand Staircase leads to a large landing, which contains the Music Room. The ceiling was originally painted in a Renaissance style, but all that remains is the painting in the spaces of the archway, through which the room is accessed. Above the wainscoting of the Music Room, large tapestries depict Euterpe, the Muse of Music. All the tapestries in Grey Towers were provided by William Baumgarten & Co, Inc. of New York City. On each floor there is a balcony which rings the Great Hall, and tapestries line all of these spaces.

Upon completion, Grey Towers was one of the largest homes in the country, with forty rooms. The eclectic and grandiose style attracted attention to the young Horace Trumbauer, who began a successful career, which included the construction of the Philadelphia Museum of Art and many other houses and buildings in the Philadelphia area.