Reception
Gilbert wrote, in an introductory "Notice" to the printed version, that the play "was received with exceptional favour by a crowded house", and that the theatre manager had not given the play a chance by closing it so soon, when it had premiered during Lent. The box-office receipts fell off sharply after an enthusiastic opening. He later told an interviewer: "I consider the two best plays I ever wrote were Broken Hearts and a version of the Faust legend called Gretchen. I took immense pains over my Gretchen, but it only ran a fortnight. I wrote it to please myself, and not the public." He also later remarked, "I called it Gretchen, the public called it rot." The Sunday Times praised Gilbert's "scathing" satire and "powerful" versification, but other reviews were mixed. The Times gave the play a long and respectful notice, The Observer praised the play but was lukewarm about most of the acting, and The Manchester Guardian called Gretchen "Little better than a travesty.... Some admirably written blank verse is the only merit which the play possesses." Reviewing the play's 1886 American production, The New York Times did not judge it to be among Gilbert's best, although the paper did find the treatment of the Faust story interesting, with many novel touches.
Read more about this topic: Gretchen (play)
Famous quotes containing the word reception:
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