Influence
With the rise of architectural historicism in the mid-19th century it is no longer possible to speak of a Greek revival movement, where the Doric is employed it is as another self-consciously anachronising style. The San Francisco Mint (completed 1874) is a case in point. Yet Greek culture and Greek design motifs continued to exert a powerful hold on late Victorian imagination and beyond. Peter Behrens's Haus Wiegund (1911–12), for example, echos the austere classicism of Gilly and Schinkel. Further north we find a resurgent interest in rationalism dressed in the neoclassical style; Nordic Classicism. If the idiom has fallen out of favour since World War II it is thanks to its association, rightly or wrongly, with the pastiche classicism of Albert Speer which still provokes controversy as witnessed in Léon Krier's provocative essay "Krier on Speer".
Read more about this topic: Greek Revival Architecture
Famous quotes containing the word influence:
“I think of consciousness as a bottomless lake, whose waters seem transparent, yet into which we can clearly see but a little way. But in this water there are countless objects at different depths; and certain influences will give certain kinds of those objects an upward influence which may be intense enough and continue long enough to bring them into the upper visible layer. After the impulse ceases they commence to sink downwards.”
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“Only let the North exert as much moral influence over the South, as the South has exerted demoralizing influence over the North, and slavery would die amid the flame of Christian remonstrance, and faithful rebuke, and holy indignation.”
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