Graveyard - Origins and Class Distinctions

Origins and Class Distinctions

Graveyards were usually established at the same time as the building of the relevant place of worship (which can date back to the 8th to 14th centuries) and were often used by those families who could not afford to be buried inside or beneath the place of worship itself. In most cultures those who were vastly rich, had important professions, were part of the nobility or were of any other high social status were usually buried in individual crypts inside or beneath the relevant place of worship with an indication of the name of the deceased, date of death and other biographical data. In Europe this was often accompanied with a depiction of their family coat of arms.

Most of middle or low social status others were buried in graveyards around the relevant church again divided by social status. Families of the deceased who could afford the work of a stonemason had a headstone carved and set up over the place of burial with an indication of the name of the deceased, date of death and sometimes other biographical data. Usually, the more writing and symbols carved on the headstone, the more expensive it was. As with most other human property such as houses and means of transport, richer families used to compete for the artistic value of their family headstone in comparison to others around it, sometimes adding a statue (such as a weeping angel) on the top of the grave.

Those who could not pay for a headstone at all usually had some religious symbol made from wood on the place of burial such as a Christian cross; however, this would quickly deteriorate under the rain or snow. Some families hired a blacksmith and had large crosses made from various metals put on the place of burial.

Read more about this topic:  Graveyard

Famous quotes containing the words origins and, origins, class and/or distinctions:

    Lucretius
    Sings his great theory of natural origins and of wise conduct; Plato
    smiling carves dreams, bright cells
    Of incorruptible wax to hive the Greek honey.
    Robinson Jeffers (1887–1962)

    Compare the history of the novel to that of rock ‘n’ roll. Both started out a minority taste, became a mass taste, and then splintered into several subgenres. Both have been the typical cultural expressions of classes and epochs. Both started out aggressively fighting for their share of attention, novels attacking the drama, the tract, and the poem, rock attacking jazz and pop and rolling over classical music.
    W. T. Lhamon, U.S. educator, critic. “Material Differences,” Deliberate Speed: The Origins of a Cultural Style in the American 1950s, Smithsonian (1990)

    People with a culture of poverty suffer much less from repression than we of the middle class suffer and indeed, if I may make the suggestion with due qualification, they often have a hell of a lot more fun than we have.
    Brian Friel (b. 1929)

    ...I have come to make distinctions between what I call the academy and literature, the moral equivalents of church and God. The academy may lie, but literature tries to tell the truth.
    Dorothy Allison (b. 1949)