Influence On Culture
According to research by Lera Boroditsky, grammatical genders are among the aspects of languages that shape how people think (a hypothesis called "linguistic relativity"). In one study by Boroditsky, in which native speakers of German and Spanish were asked to describe everyday objects in English, she found that they were more likely to use attributes conventionally associated with the genders of the objects in their native languages.
For instance, German-speakers more often described German: Brücke, (f.) "bridge" with words like 'beautiful', 'elegant', 'fragile', 'peaceful', 'pretty', and 'slender', whereas Spanish-speakers, which use puente (m.) used terms like 'big', 'dangerous', 'long', 'strong', 'sturdy', and 'towering'.
Also according to Boroditsky, the gender in which concepts are anthropomorphized in art is dependent, in 85% of all cases, on the grammatical gender of the concept in the artist's language. Therefore, in German art Tod (m.) "death" is generally portrayed as male, but in Russian Смерть (f.) "death" is generally portrayed as a female.
Read more about this topic: Grammatical Gender
Famous quotes containing the words influence and/or culture:
“The question of place and climate is most closely related to the question of nutrition. Nobody is free to live everywhere; and whoever has to solve great problems that challenge all his strength actually has a very restricted choice in this matter. The influence of climate on our metabolism, its retardation, its acceleration, goes so far that a mistaken choice of place and climate can not only estrange a man from his task but can actually keep it from him: he never gets to see it.”
—Friedrich Nietzsche (1844–1900)
“A culture may be conceived as a network of beliefs and purposes in which any string in the net pulls and is pulled by the others, thus perpetually changing the configuration of the whole. If the cultural element called morals takes on a new shape, we must ask what other strings have pulled it out of line. It cannot be one solitary string, nor even the strings nearby, for the network is three-dimensional at least.”
—Jacques Barzun (b. 1907)