Early Church and Middle Ages
Tatian's influential Diatessaron harmony which dates to about AD 160 was perhaps the very first harmony. The Diatessaron reduced the number of verses in the four gospels from 3,780 to 2,769 without missing any event of teaching in the life of Jesus from any of the gospels.
Variations based on the Diatessaron continued to appear in the Middle Ages, e.g. Codex Sangallensis (based on the 6th century Codex Fuldensis) dates to 830 and has a Latin column based on the Vulgate and an Old High German column that often resembles the Diatessaron, although errors frequently appear within it. The Liege harmony in the Limberg dialect (Liege University library item 437) is a key Western source of the Diatessaron and dates to 1280, although published much later. The two extant recensions of the Diatessaron in Medieval Italian are the single manuscript Venetian from the 13th or 14th century and the 26 manuscript Tuscan from the 14-15th century.
In the 3rd century Ammonius of Alexandria developed the forerunner of modern synopsis (perhaps based on the Diatessaron) as the Ammonian Sections in which he started with the text of Matthew and copied along parallel events. There are no extant copies of the harmony of Ammonius and it is only known from a single reference in the letter of Eusebius to Carpianus. In the letter Eusebius also discusses his own approach, i.e. the Eusebian Canons in which the texts of the gospels are shown in parallel to help comparison among the four gospels.
In the 5th century, Saint Augustine wrote extensively on the subject in his book Harmony of the Gospels. Augustine viewed the variations in the gospel accounts in terms of the different focuses of the authors on Jesus: Matthew on royalty, Mark on humanity, Luke on priesthood and John on divinity.
No major advances in Gospel harmony beyond Augustine emerged in the Middle Ages until the 15th century. However, throughout the Middle Ages harmonies based on the principles of the Diatessaron continued to appear, e.g. the Liege harmony by Plooij in Middle Dutch, and the Pepysian harmony in Middle English. The Pepysian harmony (Magdalene college, Cambridge, item Pepys 2498) dates to about 1400 and its name derives from having been owned by Samuel Pepys.
Read more about this topic: Gospel Harmony
Famous quotes containing the words middle ages, early, church, middle and/or ages:
“What progress we are making. In the Middle Ages they would have burned me. Now they are content with burning my books.”
—Sigmund Freud (1856–1939)
“Probably more than youngsters at any age, early adolescents expect the adults they care about to demonstrate the virtues they want demonstrated. They also tend to expect adults they admire to be absolutely perfect. When adults disappoint them, they can be critical and intolerant.”
—The Lions Clubs International and the Quest Nation. The Surprising Years, I, ch.4 (1985)
“That poor little thing was a good woman, Judge. But she just sort of let life get the upper hand. She was born here and she wanted to be buried here. I promised her on her deathbed she’d have a funeral in a church with flowers. And the sun streamin’ through a pretty window on her coffin. And a hearse with plumes and some hacks. And a preacher to read the Bible. And folks there in church to pray for her soul.”
—Laurence Stallings (1804–1968)
“You can always tell a Midwestern couple in Europe because they will be standing in the middle of a busy intersection looking at a wind-blown map and arguing over which way is west. European cities, with their wandering streets and undisciplined alleys, drive Midwesterners practically insane.”
—Bill Bryson (b. 1951)
“Next time, to tarry,
While the Ages steal—
Slow tramp the Centuries,
And the Cycles wheel!”
—Emily Dickinson (1830–1886)